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WE ARE PROUD BOYS

HOW A RIGHT-WING STREET GANG USHERED IN A NEW ERA OF AMERICAN EXTREMISM

Right-wing politics are scary now, but this well-researched account foresees an even darker future.

Journalistic account of the rise of the increasingly influential—and virulent—far-right cabal whose members “have been on a yearslong fascist march.”

“I think there’s not enough violence in today’s day and age.” So declared Proud Boys founder Gavin McInnes in late 2016. HuffPost writer Campbell has for years been following what in essence was a street gang gone viral, one named, with due irony, after a song from the Disney movie Aladdin, performed at a school performance by “a twelve-year-old boy with brown skin.” By the author’s account, a mere non-White complexion is enough to set McInnes into paroxysms of rage, since the Proud Boys are among the chief fomenters of the “replacement theory” that holds that White people are being crowded out of America by members of one-time ethnic minorities. The loosely knit but growing group’s vision of the world may be “chaotic,” writes Campbell, but the threat they represent to their political enemies—i.e., anyone to their left—is real. As McInnes once proclaimed, “We will kill you, that’s the Proud Boys in a nutshell. We look nice, we seem soft, we have ‘boys’ in our name, but like Bill the Butcher and the Bowery Boys, we will assassinate you.” The group’s leadership in the 2017 Charlottesville riots and its de facto bodyguard status for Donald Trump at the storming of the Capitol have yielded plenty of legal trouble, with conspiracy charges leveled at 17 members for their roles in the latter event. Still, Campbell suggests, Jan. 6 was only a warm-up. Even as the Proud Boys are “working to sanitize their image,” they continue to create chaos at school board meetings, women’s health clinics, and statehouses. More disturbingly, their numbers are growing, and they have become “the most successful political extremist group in the digital age.”

Right-wing politics are scary now, but this well-researched account foresees an even darker future.

Pub Date: Sept. 20, 2022

ISBN: 978-0-306-82746-4

Page Count: 336

Publisher: Hachette

Review Posted Online: Aug. 2, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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THE GREATEST SENTENCE EVER WRITTEN

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

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Words that made a nation.

Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

Pub Date: Nov. 18, 2025

ISBN: 9781982181314

Page Count: 80

Publisher: Simon & Schuster

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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DEAR NEW YORK

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Portraits in a post-pandemic world.

After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Pub Date: Oct. 7, 2025

ISBN: 9781250277589

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Aug. 1, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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