A lovely, sometimes challenging testament to the universality of human nature.
The creator of the hit internet series Humans of New York takes it global, chasing down a panoply of interesting stories.
In 1955, Edward Steichen staged a show called “The Family of Man,” a gathering of photographs that emphasized the commonality of humankind. Stanton’s project seemingly has much the same ambition. “You’ve created this magic little corner of the Web where people feel safe sharing their stories—without being ridiculed, or bullied, or judged,” he writes. “These stories are only honestly shared because they have a long history of being warmly received.” The ask is the hard part: approaching a total stranger and asking him or her to tell their stories. And what stories they are. A young Frenchwoman, tearful, recounts being able to see things from the spirit world that no one else can see. “And it’s been a very lonely existence since then,” she says. A sensible teenager in St. Petersburg, Russia, relates that her friends are trying to be grown-up, smoking cigarettes and drinking alcohol, whereas she wants to remain a child close to her parents: “I’d like these times to last as long as possible.” A few stories are obnoxious, as with a Dutch incel who has converted himself into a pickup artist and outright cad: “Of course it’s manipulation, but why should I care? I’ve been manipulated so many times in my life.” A great many stories, some going for several pages but most taking up just a paragraph or two, are regretful, speaking to dashed dreams and roads not taken. A surprising number recount mental illness, depression, and addiction; “I’d give anything to have a tribe,” says a beleaguered mother in Barcelona. Some are hopeful, though, such as that of an Iranian woman: “I’ve fallen in love with literature. I try to read for one or two hours every day. I only have one life to live. But in books I can live one thousand lives.”
A lovely, sometimes challenging testament to the universality of human nature.Pub Date: Oct. 6, 2020
ISBN: 978-1-250-11429-7
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
For those satisfied with blame-the-victim tidbits of received wisdom.
The noted conservative economist delivers arguments both fiscal and political against social justice initiatives such as welfare and a federal minimum wage.
A Black scholar who has lived through many civil rights struggles, Sowell is also a follower of Friedrich Hayek and Milton Friedman, who insisted that free market solutions are available for every social problem. This short book begins with what amounts to an impatient declaration that life isn’t fair. Some nations are wealthy because of geographical advantages, and some people are wealthy because they’re smarter than others. “Some social justice advocates may implicitly assume that various groups have similar developed capabilities, so that different outcomes appear puzzling,” he writes. In doing so, he argues, they fail to distinguish between equal opportunity and equal capability. Sowell is dismissive of claims that Black Americans and other minorities are systematically denied a level playing field: Put non-white kids in charter schools, he urges, and presto, their math scores will zoom northward as compared to those in public schools. “These are huge disparities within the same groups, so that neither race nor racism can account for these huge differences,” he writes, clearly at pains to distance himself from the faintest suggestion that race has anything to do with success or failure in America. At the same time, he isn’t exactly comfortable with the idea that economic inequalities exist, and he tries to finesse definitions to suit his convictions: “The terms ‘rich’ and ‘poor’ are misleading in another and more fundamental sense. These terms apply to people’s stock of wealth, not their flows of income.” As for crime? Give criminals more rights, he asserts, as with Miranda v. Arizona, and crime rates go up—an assertion that overlooks numerous other variables but fits Sowell’s ideological slant.
For those satisfied with blame-the-victim tidbits of received wisdom.Pub Date: Sept. 19, 2023
ISBN: 9781541603929
Page Count: 224
Publisher: Basic Books
Review Posted Online: Oct. 13, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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