by Andy Myer & illustrated by Andy Myer ‧ RELEASE DATE: Sept. 1, 2012
Young readers will chuckle at Delia’s cluelessness—and maybe think twice about their own assumptions.
An amusing visual riff on the frequent refrain “nothing ever happens to me.”
Delia recounts the details of her incredibly dull yesterday. While her words describe a pedestrian day from breakfast to bedtime, the illustrations tell a completely different story. While Delia’s eyes are either trained down on her cereal or a handheld device or looking straight ahead, lots of interesting things are happening around her. Delia complains, “NOTHING happened during my breakfast, except I spilled some milk.” As she struggles with the milk, two elephants parade unseen down her hallway. Later, wildly shaped hot-air balloons float by while she checks her phone and waits for the bus. A pirate rides to school with her, and an astronaut floats by her math-class window while Delia doodles. The droll, first-person point of view carries the sarcastic, bored tone to its humorous extreme. The message could not be clearer: Look up and see the interesting world around you! This lesson is delivered in such a winning, funny package that it hardly seems like a lesson at all. Closer to Where’s Waldo in their invitation to look closely than a pat lesson on awareness, these lively, cartoony illustrations offer many chortles per page and invite amused readers to return to find more “boring” details in Delia’s life.
Young readers will chuckle at Delia’s cluelessness—and maybe think twice about their own assumptions. (Picture book. 4-9)Pub Date: Sept. 1, 2012
ISBN: 978-1-58536-804-4
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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