Young readers will chuckle at Delia’s cluelessness—and maybe think twice about their own assumptions.
An amusing visual riff on the frequent refrain “nothing ever happens to me.”
Delia recounts the details of her incredibly dull yesterday. While her words describe a pedestrian day from breakfast to bedtime, the illustrations tell a completely different story. While Delia’s eyes are either trained down on her cereal or a handheld device or looking straight ahead, lots of interesting things are happening around her. Delia complains, “NOTHING happened during my breakfast, except I spilled some milk.” As she struggles with the milk, two elephants parade unseen down her hallway. Later, wildly shaped hot-air balloons float by while she checks her phone and waits for the bus. A pirate rides to school with her, and an astronaut floats by her math-class window while Delia doodles. The droll, first-person point of view carries the sarcastic, bored tone to its humorous extreme. The message could not be clearer: Look up and see the interesting world around you! This lesson is delivered in such a winning, funny package that it hardly seems like a lesson at all. Closer to Where’s Waldo in their invitation to look closely than a pat lesson on awareness, these lively, cartoony illustrations offer many chortles per page and invite amused readers to return to find more “boring” details in Delia’s life.
Young readers will chuckle at Delia’s cluelessness—and maybe think twice about their own assumptions. (Picture book. 4-9)Pub Date: Sept. 1, 2012
ISBN: 978-1-58536-804-4
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
BOOK REVIEW
BOOK REVIEW
A sweet, soft conversation starter and a charming gift.
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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