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GLASS PALACE

Packs real emotional weight into its slim pages and escapes the didactic tone of some “issue” novels. A promising debut in...

Awards & Accolades

Our Verdict

  • Our Verdict
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Weisskoff’s debut middle-grade novel takes newly orphaned Mia through raw grief and custody battles with gentleness and skill.

“How’s this for a birthday present?” asks 12-year-old Mia, whose day with her artsy Grandpa Ron is supposed to end with her parents’ taking her and BFF Samantha out for sushi. Instead, a phone call shatters her life—a car accident has killed both her parents. In the aftermath of this tragedy, Mia struggles with school and her future. She’d rather stay with her widowed grandfather in Oakland, Calif., but her mother’s folks, Alan and Ilene, want her to live with them in New York City. Complicating matters further, her Grandpa Alan loathes Grandpa Ron, and the former, a workaholic lawyer, is used to getting his way. Besides, Mia’s not sure her California grandpa wants her around anyway. Unable to bring up her fears in her new, perhaps temporary, home, she brings her troubles to the school’s guidance counselor, Ana, and—though Mia’s not a churchgoer—a young priest named Armando. While the appearance of a priest often signals an overtly religious novel, or shows the clergyman to be hypocritical at best, Armando guides Mia through her grief and guilt without pushing an agenda. He’s a refreshing, often funny character. In fact, characterization across the board is solid; Mia’s narration is never less than believable, and everyone else is distinct and has a unique inner life. Weisskoff’s mise-en-scène compels as well, as in a passage set in Grandpa Ron’s attic atelier, where he’s moved Mia’s telescope. As the two stargaze through a broken window, Mia’s able to pass the knowledge of the night sky she gained from her father along to his father. It’s a touching moment, with the clear chime of truth.

Packs real emotional weight into its slim pages and escapes the didactic tone of some “issue” novels. A promising debut in realistic youth fiction.

Pub Date: July 16, 2012

ISBN: 978-1478118565

Page Count: 200

Publisher: CreateSpace

Review Posted Online: Aug. 30, 2013

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COAT OF MANY COLORS

In her first children's book, Parton (the country music star) turns one of her songs into a saccharine tale about a girl who is so poor that her mama has to sew her a patchwork coat when the weather turns cold. (Joseph and his coat of many colors are mentioned but never explained.) Despite the girl's love for her coat, she is teased in school, which she counters by trying to explain to her classmates ``that one is only poor/if they choose to be.'' The logic here is as flawed as the grammar, and Sutton's illustrations, while competent, show a well-dressed, happy rural family who look anything but poor. The text is both clumsy and irrelevent (it ends with ``Through life I've remained happy/and good luck is on my side./I have everything that anyone/could ever want from life.'') An apparently autobiographical song that has a hard time standing on its own as a compelling children's story. (Picture book. All ages)

Pub Date: Sept. 30, 1994

ISBN: 0-06-023413-X

Page Count: 32

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 1994

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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