by Angel Rafael Colón Patricia Ann Colón ‧ RELEASE DATE: Sept. 1, 2017
It’s difficult to imagine what the authors could have done to improve this marvelous guide.
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A sweeping, accessible historical survey of artistic iconography.
Visual art has always been pervaded by symbolic imagery, much of which would have been recognizable to historically contemporary viewers. But the same embedded meaning is largely unfamiliar to today’s audience, which is a barricade to more meaningful appreciation, according to authors Angel Rafael Colón and Patricia Ann Colón (co-authors: Tincture of Time: A Concise History of Medicine, 2013): “Most iconographic symbols, however, now appear arcane, unfathomable, begging for explication.” Only in the 19th century did iconology emerge as a formal field of study, but in such a prohibitively academic form, it’s of little use to the layperson. The authors cover the span of visual artistic production up until the 19th century, prior to the emergence of more abstract, less representational efforts. The first chapter covers Christian iconography; the majority of art between the 10th and 15th centuries displayed devotional themes. Chapter 2 talks about Western art in the Renaissance period, when mythology and allegory began to replace (or enact in a new setting) Christian themes; much of this art was saved from destruction by Arab scholars. The authors continue the theme of gradual secularization by examining the Dutch golden age, a period liberated from the need to depict Christian images in the wake of the Reformation. A fascinatingly morbid chapter explores the iconography associated with death and includes a particularly grim but gripping look at funereal depictions of deceased children. Finally, the Colóns include a discussion of what they call “iconographic erratics,” those pieces of art that defy conventional classification, like Francisco Goya’s El Tres de Mayo and Edvard Munch’s The Scream. The flawlessly clear writing is often charmingly lighthearted though just as consistently characterized by scholarly scrupulousness. The scope is dazzlingly broad, yet the treatment of any particular motif or artistic product never feels unsatisfyingly abridged. Also, the work abounds with hundreds of gorgeous photographs of art, meticulously parsed into their symbolic components and then carefully decoded.
It’s difficult to imagine what the authors could have done to improve this marvelous guide.Pub Date: Sept. 1, 2017
ISBN: 978-0-692-80704-0
Page Count: 260
Publisher: Ingram
Review Posted Online: Jan. 17, 2018
Kirkus Reviews Issue: March 1, 2018
Review Program: Kirkus Indie
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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