A bawdy tale of parenthood told by a typical Carter (Saints and Sinners, 1986) heroine: witty, brash, and a sucker for farce who gives a story a good feminist spin. The septuagenarian Chance sisters, identical twins Dora and Nora, may like all wise children know their father, though the paternity has never been acknowledged, but they also learn here that after all these years they can't be too certain about their mother. Already busy on her memoirs, Dora begins her tale—told with all the innuendos and humor of the vaudeville comedians she once knew—on the day the sisters are invited to attend the hundredth birthday celebration of their father, the great Shakespearean actor Sir Melchior Hazard. The family bloodlines, Dora tells, were never all that clear: it has long been believed that a young lead—rather than aging grandfather Hazard, married to a much younger actress—was the real father of Sir Melchior and his twin, the lovable and rich Perry. It's also been believed that the eponymously named Chance sisters were the result of a liaison between their father and a young woman who died conveniently at their birth. Raised by the mysterious Mrs. Chance, the beloved ``Granny,'' the talented twins were soon dancing and acting in variety shows, having affairs with the great and not-so-great and- -the climax of their careers—making a movie in Hollywood, where Dora had an affair with a writer, whose resemblance to F. Scott Fitzgerald is quite intended. In between, Uncle Perry came bearing gifts; they met their father's three wives, and watched from the sidelines the goings-on of their half-siblings, whose own paternity is not all that clear either. An amusing romp through theatrical history that tries to answer but doesn't quite—the jokiness is ultimately too much and out of place—a serious question: What defines the true parent- -blood or the actual rearing? Accessible but thin.
Pub Date: Jan. 1, 1992
ISBN: 0-374-29133-0
Page Count: 232
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1991
BOOK REVIEW
A perfect summer cocktail of sex, sun and scandal.
Nantucket artist ponders a tryst.
An accomplished glassblower, Claire Danner Crispin set aside her work to raise her children. Indeed, for most of her life Claire has followed the rules and been a reliable friend, wife and mother. All that changes when she is asked to co-chair Nantucket’s annual Summer Gala to benefit the children’s programs on the island. Wealthy Lock Dixon personally asks Claire to contribute her time and talents. Claire says yes. Soon she finds herself in the arms of Lock, who offers relief from the monotony of her marriage and the demands of caring for four youngsters. It’s fun to watch Claire give in to her desires. As the Gala nears, a threat of exposure looms. As an artist, Claire knows that creating something of value and beauty requires sacrifice, love and a strong will. The question is: Does Claire value her newfound passion more than her marriage? There are a few too many loose ends to make the novel fully satisfying: Hilderbrand (Barefoot, 2007, etc.) writes herself into a corner by introducing too many characters to track. But witnessing Claire’s walk on the dark side is pure voyeuristic fun.
A perfect summer cocktail of sex, sun and scandal.Pub Date: July 2, 2008
ISBN: 978-0-316-01860-9
Page Count: 416
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2008
A familiar tale of upper-middle-class ennui.
Over the course of a single summer, a middle-aged Manhattan couple grapples with the state of their marriage and their lives.
When Alice and Peter met, he was a young psychoanalyst and she was an even younger biophysicist. Soon, they had twin daughters. Now, he is an older psychoanalyst, she is still studying the complexities of starling flock dynamics, the twins are away at Berkeley, and the marriage is on the rocks. They have retreated into separate worlds, bored by themselves and each other. Peter has his work. For Alice, the only source of refuge is her beloved Dachshund-Chihuahua mutt named Maebelle, and when the novel opens on Memorial Day weekend, Maebelle has gone missing. Alice is devastated; Peter is annoyed. Alice has a tryst with a man she meets through a “Manhattan Lost Dog” Facebook group. Peter has escalating fantasies about a beautiful young patient. Both of them agonize, separately, over their mutual indiscretions. Sometimes, they go out to dinner. Every unhappy family may be unhappy in its own way, but it feels as though we’ve heard this story before. It is an intimate domestic drama presented without subtlety; every action has a clear and obvious motivation, and every motivation is explained at length. Alice’s infidelity, we’re told, is not just about sex, but rather because “she’d locate a shred of her former self.” Peter can’t stop fantasizing about the patient, he explains, because she reminds him “of so much I lack.” LeFavour (Lights On, Rats Out, 2017) offers an empathetic and detailed portrait of a marriage, but not—with the exception of one explosive scene toward the novel’s end—an especially insightful one.
A familiar tale of upper-middle-class ennui.Pub Date: Aug. 11, 2020
ISBN: 978-0-8021-4888-9
Page Count: 240
Publisher: Grove
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
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