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THE WHOLE TOWN'S TALKING

You know the expression “This is not your grandma’s epic novel”? Well, this is your grandma’s epic novel, anodyne but...

The history of a Midwestern town founded by Swedish immigrants, including both lives and afterlives, from 1889 to 2021.

“Over the years, the mail-order bride business had been fraught with pitfalls and disappointments.” Not this time. The big, ambitious Swede Lordor Nordstrom and the nearsighted little wife who answers his ad fall quickly, madly in love. Lordor goes on to start a family, to incorporate Elmwood Springs, Missouri, and become its mayor, and also to donate a panoramic parcel of land for its community cemetery. And then he dies. “Shortly after the funeral, the strangest thing happened. Lordor Nordstrom woke up.” Turns out, after people die, they remain as spirits in the cemetery, at least for a while; at a certain point the souls disappear from the gossipy spirit kaffeeklatsch for parts to be revealed. As this tale winds through the decades and generations, two communities flourish, one of the living and one of the dead. Flagg (The All-Girl Filling Station’s Last Reunion, 2013, etc.) does a clever job of tracking her clan of interconnected families through the decades, including a drive-by from Bonnie and Clyde, a visit from Harry Truman, four different wars, the birth and death of downtown, and finally modern plagues including drugs, unemployment, and deaths from texting. There’s even a murder mystery woven in, the untimely and suspicious death of a particularly beloved resident which the spirits are determined to investigate and avenge. Much of the fun of the book happens in the graveyard, with conversations like this: “I went to your funeral and sent you flowers.” “Thank you. I’m sorry I wasn’t able to reciprocate.” “My hip doesn’t hurt anymore, but…I’m not happy….I hate that I’m dead, that’s why. I’ve been saving for ten years to be able to make that trip to California, and now I’m not ever going, and the ticket was nonrefundable.”

You know the expression “This is not your grandma’s epic novel”? Well, this is your grandma’s epic novel, anodyne but sweeping in its sweet way, full of home truths and consolation.

Pub Date: Nov. 29, 2016

ISBN: 978-1-4000-6595-0

Page Count: 432

Publisher: Random House

Review Posted Online: Oct. 5, 2016

Kirkus Reviews Issue: Oct. 15, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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