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THE WHOLE TOWN'S TALKING

You know the expression “This is not your grandma’s epic novel”? Well, this is your grandma’s epic novel, anodyne but...

The history of a Midwestern town founded by Swedish immigrants, including both lives and afterlives, from 1889 to 2021.

“Over the years, the mail-order bride business had been fraught with pitfalls and disappointments.” Not this time. The big, ambitious Swede Lordor Nordstrom and the nearsighted little wife who answers his ad fall quickly, madly in love. Lordor goes on to start a family, to incorporate Elmwood Springs, Missouri, and become its mayor, and also to donate a panoramic parcel of land for its community cemetery. And then he dies. “Shortly after the funeral, the strangest thing happened. Lordor Nordstrom woke up.” Turns out, after people die, they remain as spirits in the cemetery, at least for a while; at a certain point the souls disappear from the gossipy spirit kaffeeklatsch for parts to be revealed. As this tale winds through the decades and generations, two communities flourish, one of the living and one of the dead. Flagg (The All-Girl Filling Station’s Last Reunion, 2013, etc.) does a clever job of tracking her clan of interconnected families through the decades, including a drive-by from Bonnie and Clyde, a visit from Harry Truman, four different wars, the birth and death of downtown, and finally modern plagues including drugs, unemployment, and deaths from texting. There’s even a murder mystery woven in, the untimely and suspicious death of a particularly beloved resident which the spirits are determined to investigate and avenge. Much of the fun of the book happens in the graveyard, with conversations like this: “I went to your funeral and sent you flowers.” “Thank you. I’m sorry I wasn’t able to reciprocate.” “My hip doesn’t hurt anymore, but…I’m not happy….I hate that I’m dead, that’s why. I’ve been saving for ten years to be able to make that trip to California, and now I’m not ever going, and the ticket was nonrefundable.”

You know the expression “This is not your grandma’s epic novel”? Well, this is your grandma’s epic novel, anodyne but sweeping in its sweet way, full of home truths and consolation.

Pub Date: Nov. 29, 2016

ISBN: 978-1-4000-6595-0

Page Count: 432

Publisher: Random House

Review Posted Online: Oct. 5, 2016

Kirkus Reviews Issue: Oct. 15, 2016

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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