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SAN ANDREAS ISLAND

An uplifting read about the difficulty of leaving an unhealthy situation.

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Costello’s debut novel explores the stress of a marriage through the eyes of a thoughtful wife.

Jelina King is a woman at war with herself, battling her belief that she’s failing her family and her resentment toward her husband for his irresponsibility and insensitivity. When she and Dylan were dating seven years ago, he lavished her with romance and care. Now, a series of career changes has drained their savings and caused them to amass student loan debt, and Dylan shows little motivation to find a new job. Instead, he spends hours on the computer and stays out all night, drinking with his friends. Meanwhile, Jelina works full time as a therapist, and in her off hours, she maintains their house in coastal California and takes care of their 4-year-old daughter, Lily. In addition, her phone is constantly bombarded by texts from her estranged father, who, she feels, failed to protect her from abuse by a relative. The constant stress has broken her down; at one point, she even has a panic attack during a patient’s session. Lily, meanwhile, suffers from severe shyness and frequent urinary accidents. One morning, an emotionally exhausted Jelina rear-ends another car. Its owner is a tantalizingly beautiful woman named Natalia. The chance meeting transforms Jelina’s life, as Natalia helps her realize a powerful truth: “You deserve to be happy.” Throughout this novel, Costello shows a deep understanding of human psychology, resulting in characters that seem startlingly real. The prose is expressive and well-paced, with descriptions of settings that blend seamlessly with Jelina’s thoughts. Although her state of mind occasionally makes her an unreliable narrator, her perspective is often moving. The romance that blossoms between her and Natalia seems inevitable from their first meeting. However, its development is mesmerizing and drives the narrative’s positivity. The conclusion effectively emphasizes the inherent instability of life.

An uplifting read about the difficulty of leaving an unhealthy situation.

Pub Date: May 27, 2019

ISBN: 978-1-73306-792-8

Page Count: 262

Publisher: Lamindspa Publishing

Review Posted Online: July 10, 2019

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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