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SAMSON, THE MIGHTY FLEA!

Ultimately, Samson is appealingly offbeat but not quite the big star that he aspires to be.

A flea strongman leaves the small circus where he has been performing in search of greater fame and fortune.

The eponymous Samson is a big draw at Fleabag’s Circus. Although he’s clearly adored by his colleague, Amelie, and appreciated by audiences, readers are told that he feels “empty,” so he sets off in search of broader horizons and bigger audiences. Shadowed by a bee wearing a pirate hat and polka-dot pants, Samson pursues his dreams only to find that reaching them doesn’t make him happier. A wild ride on a shaggy red dog (with a little help from the bee) leads him home again. Sly humor abounds, much of it in the brightly colored, retro-styled illustrations. There are clever costumes: Samson’s leopard-spotted pants (echoed on the endpapers) and high-top sneakers, for example, and the balloon bug’s French-mime striped shirt and beret. The funniest detail—one that’s pivotal to the plot—is the larger stage upon which Samson eventually performs: a human strongman’s head. Unfortunately, the text is not as successful. It bumps along, sometimes rhyming, sometimes not, with little internal logic. Neither Samson’s initial hollowness nor his change of heart is particularly convincing and likely won’t have much meaning for young listeners.

Ultimately, Samson is appealingly offbeat but not quite the big star that he aspires to be. (Picture book. 4-7)

Pub Date: Oct. 1, 2017

ISBN: 978-1-5124-8123-5

Page Count: 40

Publisher: Andersen Press USA

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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