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PHYSIK

From the Septimus Heap series , Vol. 3

Showing no signs of reaching a climax, this Potter-esque series ambles past its 1,500th page with another escapade that casts apprentice Magyk-worker Septimus and apprentice princess Jenna into various dangers in a setting well-stocked with ghosts, near-ghosts, secret passages, magical creatures, comical stock characters and dark doings. Newly sprung from centuries of imprisonment in a portrait, the treacherous, not-quite-dead Queen Etheldredda and her rat-like, plague-spreading familiar embark on a campaign to retake the throne by killing Jenna and stranding Septimus 500 years in the past. To help foil the Queen, Sage trots in several colorful new additions to the already-bewilderingly large supporting cast, including alchemist Marcellus Pye, who has discovered the secret of eternal life but needs Septimus’s special talents to add “eternal youth” to the tincture, and a seafaring young woman (with, oddly, a masculine name) whose cat changes into a panther at night. Readers unfamiliar with the two previous episodes will flounder—but stay entertained nonetheless, thanks to the speedy pace of events and, boosted by expressive vignettes at many chapter heads, strong-minded characters. (map, appendices) (Fantasy. 11-13)

Pub Date: March 27, 2007

ISBN: 0-06-057737-1

Page Count: 560

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2007

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THE LAST EVER AFTER

From the School for Good and Evil series , Vol. 3

Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...

Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.

Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.

Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)

Pub Date: July 21, 2015

ISBN: 978-0-06-210495-3

Page Count: 672

Publisher: Harper/HarperCollins

Review Posted Online: June 25, 2015

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THE GOOD THIEVES

Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure

A Prohibition-era child enlists a gifted pickpocket and a pair of budding circus performers in a clever ruse to save her ancestral home from being stolen by developers.

Rundell sets her iron-jawed protagonist on a seemingly impossible quest: to break into the ramshackle Hudson River castle from which her grieving grandfather has been abruptly evicted by unscrupulous con man Victor Sorrotore and recover a fabulously valuable hidden emerald. Laying out an elaborate scheme in a notebook that itself turns out to be an integral part of the ensuing caper, Vita, only slowed by a bout with polio years before, enlists a team of helpers. Silk, a light-fingered orphan, aspiring aerialist Samuel Kawadza, and Arkady, a Russian lad with a remarkable affinity for and with animals, all join her in a series of expeditions, mostly nocturnal, through and under Manhattan. The city never comes to life the way the human characters do (Vita, for instance, “had six kinds of smile, and five of them were real”) but often does have a tangible presence, and notwithstanding Vita’s encounter with a (rather anachronistically styled) “Latina” librarian, period attitudes toward race and class are convincingly drawn. Vita, Silk, and Arkady all present white; Samuel, a Shona immigrant from Southern Rhodesia, is the only primary character of color. Santoso’s vignettes of, mostly, animals and small items add occasional visual grace notes.

Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure . (Historical fiction. 11-13)

Pub Date: Aug. 27, 2019

ISBN: 978-1-4814-1948-2

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: May 25, 2019

Kirkus Reviews Issue: June 15, 2019

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