by Angie Spears ‧ RELEASE DATE: March 1, 2021
A fantasy that offers nods to the escapism of literature yet lacks fresh insight for younger readers.
Spears’ debut picture book uses the world of children’s literature as an avenue for inspiration and rediscovery.
A young Black girl who, for unspecified reasons, is unable to go outside decides to peruse her home’s bookshelves, stumbling upon some of her mother’s old books. She hopes to meet new friends and explore new lands in their pages, and she’s quickly pulled into the world of beloved children’s classics. The young girl goes on a literary journey that alludes to several well-known picture books, such as Eric Carle’s The Very Hungry Caterpillar and Crockett Johnson’s Harold and the Purple Crayon, and novels, such as J.R.R. Tolkien’s The Hobbit; on each page, she walks through familiar scenes and interacts with beloved (if unnamed) characters. Spears’ quiet ode to children’s literature offers full-color images that will particularly evoke nostalgia in adults. The light, rhyming text provides a whisper of each book’s content, sparking memories for those familiar with them; the whimsical, full-color pastel illustrations present real and mythical animals, items, and happenings from the various tales. However, without a solid, overriding plot that links the unrelated books together, this light family read lacks a clear hook that might have made it resonate more strongly with kids.
A fantasy that offers nods to the escapism of literature yet lacks fresh insight for younger readers.Pub Date: March 1, 2021
ISBN: 978-0-57-882568-7
Page Count: 36
Publisher: Self
Review Posted Online: June 3, 2021
Review Program: Kirkus Indie
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by Christina Soontornvat ; illustrated by Barbara Szepesi Szucs ‧ RELEASE DATE: June 25, 2019
A jam-packed opener sure to satisfy lovers of the princess genre.
Ice princess Lina must navigate family and school in this early chapter read.
The family picnic is today. This is not a typical gathering, since Lina’s maternal relatives are a royal family of Windtamers who have power over the weather and live in castles floating on clouds. Lina herself is mixed race, with black hair and a tan complexion like her Asian-presenting mother’s; her Groundling father appears to be a white human. While making a grand entrance at the castle of her grandfather, the North Wind, she fails to successfully ride a gust of wind and crashes in front of her entire family. This prompts her stern grandfather to ask that Lina move in with him so he can teach her to control her powers. Desperate to avoid this, Lina and her friend Claudia, who is black, get Lina accepted at the Hilltop Science and Arts Academy. Lina’s parents allow her to go as long as she does lessons with grandpa on Saturdays. However, fitting in at a Groundling school is rough, especially when your powers start freak winter storms! With the story unfurling in diary format, bright-pink–highlighted grayscale illustrations help move the plot along. There are slight gaps in the storytelling and the pacing is occasionally uneven, but Lina is full of spunk and promotes self-acceptance.
A jam-packed opener sure to satisfy lovers of the princess genre. (Fantasy. 5-8)Pub Date: June 25, 2019
ISBN: 978-1-338-35393-8
Page Count: 128
Publisher: Scholastic
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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