Next book

YOU DON'T HAVE TO DIE IN THE END

A heavy-handed story about dysfunctional families.

A juvenile offender is sent to a western Canadian ranch rehabilitation program.

Eugenia Grimm is 16 and a high school dropout. Her depressed father died by suicide when she was 8, her mother walked out when she was 14, and she lives with her eldest brother, Darcy, and his young family. Her other brother, Jackson, is an alcoholic ne’er-do-well. Unfortunately, Eugenia seems to be following in his footsteps. After a young woman spits on Eugenia’s best friend, Luda, and Eugenia attacks her, she is given the chance to attend an alternative program on a ranch rather than being incarcerated. Eugenia has to learn how to work with the wild horses as well as attend therapy sessions. Trust, respect for others (both human and equine), and cooperation with staff come hard as the teens struggle with their individual issues. All are scarred—by fear, mental health issues, and abandonment—but are working toward their visions of a better life. A few hints at heterosexual romance, disappointment in Luda’s friendship, and some dangerous moments with a horse round out the action, but this first-person narrative tells too much and shows too little. Eugenia experiences significant emotional turnaround in an unrealistically short time, and she and other characters never fully come to life. The characters present white except for Indigenous ranch guide Hayden, who is Nisga’a; Luda is queer and nonbinary.

A heavy-handed story about dysfunctional families. (Fiction. 14-18)

Pub Date: April 30, 2020

ISBN: 978-1-77337-043-9

Page Count: 192

Publisher: Yellow Dog

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

Next book

WE'RE A BAD IDEA, RIGHT?

A light and entertaining plot-driven romance.

A Connecticut girl and her best friend devise a series of plans in order to achieve their goals: following a dream and winning back an ex.

Eighteen-year-old Audrey Barbour has a Master Plan: attend Blue Ridge Glass School in North Carolina and someday turn her Etsy shop, Golightly Glass, into a thriving business. But her uber-wealthy parents insist that she instead follow in their footsteps and go to business school. So Audrey decides to go find the tuition money she needs with help from her best friend, Henry Chen. Henry needs a favor, too: He hopes that fake dating Audrey will help him win back his ex-girlfriend, and he points out to a reluctant Audrey that this could make her crush, Griffin, notice her. While Audrey’s parents vacation in France for three weeks, the pair rent out the Barbour mansion on the Long Island Sound. Soon romantic chemistry grows alongside their business partnership. Despite the pair’s great preparation and an abundance of secondary characters with connections and talents to help pull off their increasingly ambitious ideas, plans go awry, leaving Audrey and Henry scrambling and second-guessing their choices. The pacing is even, but the characters often take a back seat to the whirlwind of activity that drives the plot, with the emphasis falling on each person’s practical skills and their role in keeping the action moving over their emotional bonds. Audrey is white, and Henry’s surname cues him as Chinese American.

A light and entertaining plot-driven romance. (Romance. 14-18)

Pub Date: March 31, 2026

ISBN: 9780593904794

Page Count: 384

Publisher: Delacorte Romance

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

Next book

INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

Close Quickview