A quiet but deeply satisfying collection from the distinguished author and Booker finalist (i>Fasting, Feasting, not...
Nine short fictions luminously detailing events that lead characters to irrevocably cross the invisible line separating their pasts from new experiences, new insights, even new existences.
In settings that range from her native India to Cornwall, Mexico, and Canada, Desai deftly sketches the scenes as she introduces varied characters. The three best stories are “Diamond Dust,” “Winterscape,” and “The Rooftop Dwellers.” In the first, a man's devotion to his notoriously cantankerous dog leads him to act precipitously with fatal consequences. “Winterscape” details how the aunt and mother of an Indian married to a Canadian visit the couple and their newborn son and, as the unfamiliar snow falls, understand the great cultural differences that separate them. “The Rooftop Dwellers,” perhaps the tale most redolent of contemporary India, describes a young, impecunious woman who moves to New Delhi to work on a literary magazine and, renting a room on a family's rooftop, begins to enjoy the freedom such a life permits, despite a robbery and a bullying landlord. In other notable pieces, , an unexpected visit from a former college friend underlines a couple's growing frailty and distance from their past (“Royalty”); a young Mexican studying in the US returns to the town where he grew up and finds it changed and energized, while his family remains querulously in the past (“Tepoztlan Tomorrow”); and a retired consultant running a hotel in Cornwall with his wife finds consolation after her death by closing the premises to guests and feeding the badgers that come out at night (“Underground”).
A quiet but deeply satisfying collection from the distinguished author and Booker finalist (i>Fasting, Feasting, not reviewed, etc.).Pub Date: May 19, 2000
ISBN: 0-618-04213-X
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2000
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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