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THE HERO’S WALK

Well-written, heartwarming: indeed, a kind of Indian Christmas Carol—but one in which the characterization and story play a...

A provincial Bengali family enters the 21st century, in this earnest story set in Toturpuram, "a squalid little town" on the Bay of Bengal.

Badami's second novel (her first was published in 1996 in Canada, where she now lives) is as much about the everyday difficulties—lack of fresh water, erratic electricity, all-pervasive governmental corruption—of contemporary Indian life as it is about the ostensible plot. The author peppers her narrative with precious anecdotes about the eccentrics who populate Toturpuram: a madwoman who directs traffic half-naked; an ancient exhibitionist dubbed "Chocobar" after his cocoa-hued member; a housewife who snips the ends off her neighbor's drying laundry, and so on. Then there’s Sripathi Rao, a high-caste ad copywriter of a certain age, who fears nothing more than the poverty and chaos that surrounds him. He lives with a pack of characters straight from central casting—pious wife Nirmala, activist son Arun, witchy mother Ammaya, spinster sister Putti—in the rundown mansion built by his dead father. At the start, Sripathi learns that his grown daughter Maya, estranged for nine years after her marriage to an American, has been killed, along with her husband, in a car crash. Sripathi travels to Vancouver and fetches Nandana, Maya's headstrong seven year-old daughter, now rendered mute by the trauma of her parents' death. Accustomed to spotless houses, video games, and sugary breakfast cereals, Nandana reacts badly to the ripe smells and mysterious foods of India. The child's presence, however, offers the prickly, embittered Sripathi, who cut his daughter off without a second thought, a chance to redeem himself, in part by becoming free of antiquated ideas about obligation and etiquette (represented, rather clunkily, by the family's rotting house).

Well-written, heartwarming: indeed, a kind of Indian Christmas Carol—but one in which the characterization and story play a subservient role to the somewhat labored strokes of local color.

Pub Date: April 27, 2001

ISBN: 1-56512-312-3

Page Count: 368

Publisher: Algonquin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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