Well-written, heartwarming: indeed, a kind of Indian Christmas Carol—but one in which the characterization and story play a...
A provincial Bengali family enters the 21st century, in this earnest story set in Toturpuram, "a squalid little town" on the Bay of Bengal.
Badami's second novel (her first was published in 1996 in Canada, where she now lives) is as much about the everyday difficulties—lack of fresh water, erratic electricity, all-pervasive governmental corruption—of contemporary Indian life as it is about the ostensible plot. The author peppers her narrative with precious anecdotes about the eccentrics who populate Toturpuram: a madwoman who directs traffic half-naked; an ancient exhibitionist dubbed "Chocobar" after his cocoa-hued member; a housewife who snips the ends off her neighbor's drying laundry, and so on. Then there’s Sripathi Rao, a high-caste ad copywriter of a certain age, who fears nothing more than the poverty and chaos that surrounds him. He lives with a pack of characters straight from central casting—pious wife Nirmala, activist son Arun, witchy mother Ammaya, spinster sister Putti—in the rundown mansion built by his dead father. At the start, Sripathi learns that his grown daughter Maya, estranged for nine years after her marriage to an American, has been killed, along with her husband, in a car crash. Sripathi travels to Vancouver and fetches Nandana, Maya's headstrong seven year-old daughter, now rendered mute by the trauma of her parents' death. Accustomed to spotless houses, video games, and sugary breakfast cereals, Nandana reacts badly to the ripe smells and mysterious foods of India. The child's presence, however, offers the prickly, embittered Sripathi, who cut his daughter off without a second thought, a chance to redeem himself, in part by becoming free of antiquated ideas about obligation and etiquette (represented, rather clunkily, by the family's rotting house).
Well-written, heartwarming: indeed, a kind of Indian Christmas Carol—but one in which the characterization and story play a subservient role to the somewhat labored strokes of local color.Pub Date: April 27, 2001
ISBN: 1-56512-312-3
Page Count: 368
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2001
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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