Shreve’s seventh novel (Pilot’s Wife, 1998, etc.) is a pleasantly atmospheric fin-de-siäcle tale of high-society adultery, in which love ultimately triumphs for a gorgeously written heroine who seems to belong in a different century. At a time when women don—t show their ankles in public, Olympia Biddeford embarks on a summer 1899 idyll on the New Hampshire shore. With grace and understatement, Shreve evokes 15-year-old Olympia’s emerging sexuality, her family cottage on Fortune’s Rocks, and the bright, sea-clean season. The perfect complement to the heroine’s enchanted world is Dr. John Haskell, a physician and writer who provides care to the poor of a nearby mill town. Despite his wife and children, Haskell and Olympia fall in love and are soon caught in flagrante. Disgraced, the Biddeford family leaves Fortune’s Rocks for Boston, where Olympia discovers she is pregnant. She gives birth, the child is taken to an orphanage, and Olympia is exiled to a western Massachusetts convent. Olympia eventually returns to the cottage at Fortune’s Rocks to rebuild her life. She seeks out and finds her lost son, and files a suit to recover him. The trial (a very ’90s concoction, with ethnic and class conflict at its heart) is stirring, and though Olympia wins—the adoptive parents are too grubby to raise the boy correctly’she refuses the victory when she sees their pain. Haskell returns from his exile in the West, where he has been treating immigrants and Native Americans, to find Olympia’s love for him still strong. They marry, and, sensing the distant strains of political correctness, convert the cottage into a birthing center for unmarried women. Olympia leaps out in sharp focus from the first page, but the conscientiously tangled plotting and the muddle it provokes in her show the strain of transplanting a millenial sensibility back a hundred years.($200,000 ad/promo; author tour)
Pub Date: Dec. 2, 1999
ISBN: 0-316-78101-0
Page Count: 320
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2000
Suspenseful, glamorous story of love, blackmail, and magic, set in New Orleans and Washington, D.C., about a family of high-class magicians practicing the time-honored profession of thievery. When magician Maxmillian Nouvelle adopts the 12-year-old runaway Luke Callahan, he gives him more than a family: He teaches him the secrets of blending what's real and what's not...giving people what they want—and also taking what they value. For the Great Nouvelle is a master jewel-thief; stealing from the undeserving rich warms his blood like the anticipation of good sex, a passion that both Luke and Max's bratty daughter Raxanne eventually share. Thirteen years pass: As Luke practices the fine arts of larceny and escapology, Roxanne grows into a flame-haired witch who turns bell, book, and candle into smoke onstage. Offstage, she trades in her David Cassidy poster for Luke; together, they set off sparks that could make an innocent bystander..go up in flames. But Luke's invincibility, like the Great Houdini's, is deceptive: Slimy Sam Wyatt—a former grifter now running for the Senate—slithers in from Luke's past, his frigid heart full of contempt for the family he once tried to seam. He threatens to frame Luke for murder and expose the Nouvelles' after-hours show unless he disappears. Five years later, a homesick Luke reappears, determined to show the disillusioned Roxanne that he's more than smoke and mirrors. Together, they set out to plot vengeance, staking everything on their most daring sting to date. True to the magician's oath, Roberts reveals no secrets, but the illusion works—in a compelling and detail-rich first hardcover. Good escape reading.
Pub Date: July 17, 1992
ISBN: 0-399-13761-0
Page Count: 384
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1992
A strong debut that’s fun and funny, perfect for lovers of modern romantic comedies and light mysteries.
A young woman with amnesia must use social media to figure out who she is in this quirky mystery.
Mia wakes up in an LA hospital dressed in Prada and a tiara with a massive head wound and no idea who she is. The trauma of the injury has caused amnesia, and the doctor says time in familiar surroundings will help her remember. Unfortunately, the only reason she even knows her own name is because of her phone. Having retained a wide knowledge of pop culture and Twitter muscle memory but no clue about herself, she takes to her social media profiles to discover who she is. An Instagram photo of a house with the hashtag #homesweethome leads her to think she might be on the right track. Upon entering the house, however, she meets Max, a grad student who says he's housesitting for a French billionaire, not Mia. With Max at her side, Mia attempts to figure out what exactly is going on before she runs out of money or the true owner of the house comes back. Tschida’s debut shines in its prose, maintaining a light, chatty tone as Mia narrates her struggles, complete with footnotes when appropriate. Despite not knowing who she is, Mia has a strong personality that will endear her to the reader, who will worry for her as the plot twists and turns. The dynamic between Mia and Max is playful and fun, keeping the mood light even when things start getting darker. Tschida’s a deft hand at characterization and dialogue; characters jump off the page and interact in interesting ways. The mystery isn’t easily solved, and the journey to the solution is clever and enjoyable.
A strong debut that’s fun and funny, perfect for lovers of modern romantic comedies and light mysteries.Pub Date: May 5, 2020
ISBN: 978-1-68369-168-6
Page Count: 352
Publisher: Quirk Books
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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