An often resonant narrative of adversity and friendship.
Bancroft’s novel follows a middle-aged woman as she receives a cancer diagnosis, grows close to members of a support group, and learns about herself.
In Oakland, California in 2008, after marketing executive Liz Millanova leaves her alcoholic husband, she’s free to pursue a new relationship with her married boyfriend, Lyle. However, her new world is soon shattered when she receives a stage 1 breast cancer diagnosis that requires immediate surgery and treatment. Later, Lyle breaks up with her, and before long, she receives a stage 4 diagnosis of cancer that has spread to her bones. She finds a way to tell the terrible news to her estranged daughter, Marisa, and in her cancer support group, she connects with two other survivors, Rhonda and Dave. The trio become their own personal support group, which they call “the Oakland Mets.” After attending a baseball game, where they begin to truly bond, the three explore various parks, Alcatraz Island, and local clubs. As her relationship with her new friends deepens, Liz reflects on her own life and learns to love in a way she has never has before. Over the course of this accomplished novel, Bancroft, a cancer survivor herself, presents a realistic picture of multiple patients’ physical and emotional experiences. The work is also a fine story of platonic love, which is a relatively rare subject in fiction; the unfolding friendships are realistic and emotionally honest throughout, even when their excursions occasionally become lengthy. The main story is told from Liz’s perspective, but Bancroft presents a heartbreaking but beautiful afterword in the third person. It’s a story that follows a remarkable trajectory from loneliness and heartbreak to lasting love.
An often resonant narrative of adversity and friendship.Pub Date: May 28, 2024
ISBN: 9781647426668
Page Count: 296
Publisher: She Writes Press
Review Posted Online: Jan. 18, 2024
Kirkus Reviews Issue: March 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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