I DON'T WANT TO BE A PEA!

A satisfying story of hippo-bird, bird-hippo friendship.

 In this sweet-but-sassy British import, Hugo the hippo and Bella the bird announce their intentions to attend the Hippo-Bird (or Bird-Hippo) Fairy-Tale Fancy Dress Party disguised as the Princess and the Pea.

Bella doesn’t want to be the pea to Hugo’s princess, of course (“too green and small”), so she decides she’ll be a mermaid and Hugo will be her rock. Hugo protests that rocks are “too gray and blobby”—despite obvious similarities between him and rocks that Bella isn’t shy to point out. Not long after their bickering ends in a snippy standoff, both separately reconsider…and both end up dressing as peas for the ball. This charming story of compromise is mostly a dialogue rendered in two typefaces, a rounder, more hippo-ish style for Hugo’s voice and a scrappier one for Bella’s. The spare design, a fetching combination of inky black lines and blankets of saturated color, perfectly reflects the comical nature of the friends’ opposing perspectives. Rickerty has fun with color—at one point Bella paints Hugo orange (to be Cinderella’s pumpkin), and the next spread is a cheerful mess of orange hippo tracks and white Bella tracks. The copyright page shows a photograph of a bird and hippo together, a natural phenomenon no doubt inspiring Hugo’s opening line “All hippos have birds, and Bella is mine.”

A satisfying story of hippo-bird, bird-hippo friendship. (Picture book. 3-6)

Pub Date: Jan. 13, 2011

ISBN: 978-1-4424-3614-5

Page Count: 32

Publisher: Atheneum

Review Posted Online: Nov. 8, 2011

Kirkus Reviews Issue: Dec. 1, 2011

DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

THE INVISIBLE STRING

Sentimental but effective.

A book aimed at easing separation anxiety and reinforcing bonds.

Twins Liza and Jeremy awaken during a thunderstorm and go to their mother for comfort. She reassures them that they’re safe and says, “You know we’re always together, no matter what,” when they object to returning to bed. She then explains that when she was a child her mother told her about the titular “Invisible String,” encouraging them to envision it as a link between them no matter what. “People who love each other are always connected by a very special String made of love,” she tells them, reinforcing this idea as they proceed to imagine various scenarios, fantastic and otherwise, that might cause them to be separated in body. She also affirms that this string can “reach all the way to Uncle Brian in heaven” and that it doesn’t go away if she’s angry with them or when they have conflicts. As they go to bed, reassured, the children, who present white, imagine their friends and diverse people around the world connected with invisible strings, promoting a vision of global unity and empathy. While the writing often feels labored and needlessly repetitive, Lew-Vriethoff’s playful cartoon art enhances and lightens the message-driven text, which was originally published in 2000 with illustrations by Geoff Stevenson.

Sentimental but effective. (Picture book. 3-6)

Pub Date: Oct. 30, 2018

ISBN: 978-0-316-48623-1

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Sept. 29, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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