The large cast of angst-y characters with their equally daunting number of angst-y issues impedes deep exploration of any...

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THE WHOLE THING TOGETHER

A torn family reunites years after a bitter divorce.

Lila and Robert’s divorce resulted in shared custody of their three daughters and their Long Island beach home. Eventually each remarries and has a new baby—Ray and Sasha, respectively—who grow up sharing their half sisters and a vacation-house bedroom, though their parents’ continued hostilities prevent them from meeting. Consequently, both children create imaginary playmate versions of the other based on objects left in their shared room. Both also privately grapple with their relationship, finding themselves not-quite twins, not-quite siblings, and not-quite roommates, though other characters seemingly use these definitions to avoid examining the messy family dynamics. Eventually a new, shared summer job initiates an email exchange between mixed-race Sasha and white Ray, increasing their mutual fascination, which is then complicated when their chance meeting ignites romance. Meanwhile, their half sister’s engagement party forces the extended family together, with predictably disastrous results. But soon family tragedy creates a tentative truce. Injections throughout of additional issues of race (brown-skinned Robert was adopted as a toddler from Bangladesh by white parents, and Lila is also white) and class (Robert’s “new money” versus Lila’s “old money” values) attempt profundity but more often just distract from Sasha and Ray’s potentially interesting connection.

The large cast of angst-y characters with their equally daunting number of angst-y issues impedes deep exploration of any particular character or idea. (Fiction. 14-18)

Pub Date: April 25, 2017

ISBN: 978-0-385-73689-3

Page Count: 304

Publisher: Delacorte

Review Posted Online: Feb. 4, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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An emotionally engaging closer that fumbles in its final moments.

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ALWAYS AND FOREVER, LARA JEAN

From the To All the Boys I've Loved Before series , Vol. 3

Lara Jean prepares for college and a wedding.

Korean-American Lara Jean is finally settled into a nice, complication-free relationship with her white boyfriend, Peter. But things don’t stay simple for long. When college acceptance letters roll in, Peter and Lara Jean discover they’re heading in different directions. As the two discuss the long-distance thing, Lara Jean’s widower father is making a major commitment: marrying the neighbor lady he’s been dating. The whirlwind of a wedding, college visits, prom, and the last few months of senior year provides an excellent backdrop for this final book about Lara Jean. The characters ping from event to event with emotions always at the forefront. Han further develops her cast, pushing them to new maturity and leaving few stones unturned. There’s only one problem here, and it’s what’s always held this series back from true greatness: Peter. Despite Han’s best efforts to flesh out Peter with abandonment issues and a crummy dad, he remains little more than a handsome jock. Frankly, Lara Jean and Peter may have cute teen chemistry, but Han's nuanced characterizations have often helped to subvert typical teen love-story tropes. This knowing subversion is frustratingly absent from the novel's denouement.

An emotionally engaging closer that fumbles in its final moments. (Romance. 14-17)

Pub Date: May 2, 2017

ISBN: 978-1-4814-3048-7

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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