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Touch Not My Anointed

AND DO MY PROPHET NO HARM

Despite this book’s sincere charm, even devotedly religious readers may find it too preoccupied with supernatural events.

A spiritual remembrance that focuses on a woman’s claims of prophecy.

When debut author Hutchinson was a child, she says, she started to experience dreams and visions sent by God that accurately predicted the future, which frightened her mother. Once, she dreamed of a destructive tornado, and weeks later, one devastated her home. Later, God healed her asthma, she says, but it was only years afterward that she felt prepared to fully surrender her life to him. She suffered through some difficult years, including two failed marriages and multiple abortions, but she says that she continued to experience epiphanic communications from God, who spoke to her in dreams. Other times, she says, God simply spoke out loud to her. She writes that one day, she found key passages in the Bible that were highlighted, apparently by God, to provide her with instruction. Another time, she found a message written in her handwriting but was unable to recall ever scribbling it. God warned her of other people, she says, by providing her with specific images; one former friend who betrayed her, for example, appeared to Hutchinson in a dream to have the face of a monkey. Eventually, she says, God told her to write this book and even gave her the title; she then felt that she had been called upon to assume the role of prophet and evangelize God’s word. The crux of Hutchinson’s message seems to be that an intimate relationship with God is available to anyone who opens his or her heart sufficiently and that his love isn’t reserved for some elite, chosen few. It’s hard not to be affected by the earnestness of the author’s mission or the egalitarianism of her message. However, only readers who are already very sympathetic to the notion of direct communication with God will find her story compelling. Others will likely be more incredulous. At one point, for example, the book warns that catastrophe will strike the United States as penance for its growing decadence: “The huge ship (Titanic) is America heading down the wrong path and if it does not change direction, America is going to run into that iceberg and America will sink.” Hutchinson’s eschatological alarmism, and her diagnosis of America’s moral decline, will turn off many readers.

Despite this book’s sincere charm, even devotedly religious readers may find it too preoccupied with supernatural events.

Pub Date: Sept. 30, 2015

ISBN: 978-1-4787-5934-8

Page Count: 302

Publisher: Outskirts Press Inc.

Review Posted Online: Feb. 18, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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