A vivid depiction of Deaf community along with an exciting plot and beautiful prose make this a must-read.
A young girl living on Martha’s Vineyard in 1805 doesn’t think her community of Deaf and hearing signers is special until the day the hearing world violently intrudes.
In present-tense narrator Mary Lambert’s life, it is easy to forget who is Deaf and who is hearing. Everyone she knows uses sign language, and a quarter of her village is Deaf. Mary only learns how different her community is when a young scientist with disdain for the Deaf and no understanding of their culture arrives, seeking to discover the cause of their “infirmity”—using Mary as an experimental subject. LeZotte weaves threads of adventure, family tragedy, community, racism, and hearing people’s negative assumptions about Deaf people into a beautiful and complex whole. Mary overcomes her own ordeal with the support of her community, but in the process she discovers that there is no silver bullet for the problems and prejudices of the world. There is no hollow inspirational content to be found in this tale, even where another author may have fallen into the trap. Though Mary is White of English descent, LeZotte acknowledges the racial tensions among the English, Black, Irish, and Wampanoag residents of Martha’s Vineyard, creating a dynamic that Mary interacts within but cannot fix. Each element of the narrative comes together to create an all-too-rare thing: an excellent book about a Deaf person. A closing note provides further information on Martha’s Vineyard Sign Language and the history of both Martha’s Vineyard and Deaf education.
A vivid depiction of Deaf community along with an exciting plot and beautiful prose make this a must-read. (Historical fiction. 8-14)Pub Date: March 3, 2020
ISBN: 978-1-338-25581-2
Page Count: 288
Publisher: Scholastic
Review Posted Online: Oct. 22, 2019
Kirkus Reviews Issue: Nov. 15, 2019
PERSPECTIVES
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Quirky and imaginative—postmodern storytelling at its best.
Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.
Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.
Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)Pub Date: Sept. 10, 2019
ISBN: 978-1-5344-3341-0
Page Count: 272
Publisher: Atheneum
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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