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SEEING RED

A thrilling, unsettling novel about the secrets of a small town.

A high school descends into violence, panic and unsettled grudges in Shepherd’s debut novel.

High school senior Brenna Rutherford is the all-American girl in her small town of Mount Vernon. She and her best friend, Van Halen Vaughn, are in the middle level of their school’s caste system—they’re popular enough—and have been together their entire lives. Brenna was raised by her uncle, the chief of police, whom she affectionately calls “Zio”; her single mother perished in an auto accident and begged Zio, her only brother, to watch over her infant daughter. At the beginning of the school year, an act of vandalism shocks the school: “Beware the wrath of a patient adversary” is spray-painted across the lockers of a number of well-liked students, Brenna’s included. From there, the incidents intensify—the school library is ransacked, a teacher’s car is destroyed, and Brenna and Van find a fellow student badly beaten in a boys’ bathroom. Vowing to conduct their own investigation—against Zio’s wishes—Brenna and Van evaluate a list of student suspects and collect evidence. More attacks occur, each more violent than the last, and students begin to take sides against the offender. Can Van, Brenna and Zio figure out the attacker’s identity before they become targets? Dripping with allusions to current events, the plot is smart, gripping and scarily realistic, with a true twist ending. The violence is unsettling but wholly necessary to understand the assailant’s rage. The tone of the novel could easily have taken an all-out depressive turn, given the school-violence subject matter, but the moments of tension are broken up nicely with scenes of Brenna and Van’s friendship. Like the lead characters from the 1989 film When Harry Met Sally…, the two together are definitely greater than the sum of their parts. Their conversations, though, are a relatively weak part of the work; today’s teenagers may be smarter than elders make them out to be, but they don’t speak the way that Brenna, Van and their classmates do. Real teens’ vocabulary may not be lacking, but the speaking styles here are reminiscent of the TV show Dawson’s Creek’s colloquial acrobatics (in which Dawson Leery seemingly read the Oxford English Dictionary as a bedtime story). The end of the work doesn’t completely tie up the story, leaving room for another needed, and deserved, novel.

A thrilling, unsettling novel about the secrets of a small town.

Pub Date: Dec. 13, 2012

ISBN: 978-1481098045

Page Count: 312

Publisher: CreateSpace

Review Posted Online: May 9, 2013

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WHAT JANIE FOUND

From the Janie series , Vol. 4

Billed as the conclusion to the saga that began with The Face on the Milk Carton (1990), this soapy drama ends with some wounds healed, but the characters and plot lines suspended in thin Rocky Mountain air. Raised by a Connecticut couple who believed themselves to be her grandparents, but were actually the mother and father of Hannah, her kidnapper, Janie has rejoined and subsequently relinquished her birth family to live with those who raised her. Now, as her “father” lies in intensive care, Janie discovers that he not only knows where Hannah is, but has been sending her money regularly from a special account. Hannah lives in Boulder, Colorado, where Janie’s older brother, Stephen, is going to school and falling hard for domineering Kathleen; Janie flies out for a visit, determined to confront Hannah, and get answers about her past. The characters have sharp intelligence and strong, complex feelings, but, despite staccato prose and frequent shifts in point-of-view, the plot lags, stretched out to give everyone a chance to wrestle with private demons. In what passes for a climax Stephen and Kathleen move apart, Janie and formerly disgraced boyfriend Reeve narrow the rift between them, and Janie decides to “unkidnap” herself by mailing Hannah the balance of the special account, without making direct contact. Readers may appreciate her wisdom, but as Hannah remains a faceless, voiceless enigma, there is no closure to the central mystery of the four- book drama. (Fiction. 11-13)

Pub Date: Jan. 1, 2000

ISBN: 0-385-32611-4

Page Count: 189

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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NEVER TRUST A DEAD MAN

Murder, magic, salacious secrets, and sparkling wit immediately pull the reader into this engrossing medieval whodunit from Vande Velde (Ghost of a Hanged Man, 1998, etc.). Selwyn, 17, is condemned to death after his rival, Farold, is murdered in his sleep. Overwhelming circumstantial evidence convinces villagers of Selwyn’s guilt, so he is thrown into the burial cave to rot with the corpse. Although his fate seems grim, Selwyn is soon rescued by a hard-bargaining witch, Elswyth. She resurrects Farold’s spirit, frees them both from the cave, disguises them, and allows them one week to find the real murderer in exchange for years and years of Selwyn’s servitude. Hilarious mishaps ensue, as the bickering amateurs search out answers, exposing the villagers’ true colors along the way. The sympathetic hero, original humor, sharp dialogue, and surprising plot twists make this read universally appealing and difficult to put down. (Fiction. 12-14)

Pub Date: April 1, 1999

ISBN: 0-15-201899-9

Page Count: 193

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1999

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