by Ann Leckie ‧ RELEASE DATE: Oct. 1, 2013
Leckie’s novel cast of characters serves her well-plotted story nicely. This is an altogether promising debut.
In which a zombie imperialist space cop gets caught up in a complex plot to—well, this enjoyable sci-fi outing gets even more complicated than all that.
Those who have seen the film Event Horizon will remember that a starship that got caught up in a time-space-continuum eddy got all, well, weird—or, as its creator puts it, “[w]hen she crossed over, she was just a ship. But when she came back—she was alive!” Debut novelist Leckie’s premise dips into the same well, only her spaceship has become, over thousands of years, a sort-of human that is also a sort-of borg made up of interchangeable-parts-bearing dead people. Breq, aka One Esk, aka Justice of Toren, has his/her/its work cut out for him/her/it: There’s a strange plot afoot in the far-flung Radch, and it’s about to make Breq violate the prime directive, or whatever the Radchaai call the rule that says that multisegmented, ancillary humanoids are not supposed to shoot their masters, no matter how bad their masters might be. Leckie does a very good job of setting this complex equation up in not many pages, letting detail build on detail, as when Breq finds—well, let’s say “herself” for the moment—in an increasingly tangled conspiracy that involves the baddest guy of all, the even more multifaceted head honcho of the Radch. As the action picks up, one just knows there’s going to be some battering and bruising out on the shoulder of Orion.
Leckie’s novel cast of characters serves her well-plotted story nicely. This is an altogether promising debut.Pub Date: Oct. 1, 2013
ISBN: 978-0-316-24662-0
Page Count: 416
Publisher: Orbit/Little, Brown
Review Posted Online: Aug. 16, 2013
Kirkus Reviews Issue: Sept. 1, 2013
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PERSPECTIVES
by Cixin Liu ; translated by Ken Liu ‧ RELEASE DATE: Nov. 11, 2014
Remarkable, revelatory and not to be missed.
Strange and fascinating alien-contact yarn, the first of a trilogy from China’s most celebrated science-fiction author.
In 1967, at the height of the Cultural Revolution, young physicist Ye Wenjie helplessly watches as fanatical Red Guards beat her father to death. She ends up in a remote re-education (i.e. forced labor) camp not far from an imposing, top secret military installation called Red Coast Base. Eventually, Ye comes to work at Red Coast as a lowly technician, but what really goes on there? Weapons research, certainly, but is it also listening for signals from space—maybe even signaling in return? Another thread picks up the story 40 years later, when nanomaterials researcher Wang Miao and thuggish but perceptive policeman Shi Qiang, summoned by a top-secret international (!) military commission, learn of a war so secret and mysterious that the military officers will give no details. Of more immediate concern is a series of inexplicable deaths, all prominent scientists, including the suicide of Yang Dong, the physicist daughter of Ye Wenjie; the scientists were involved with the shadowy group Frontiers of Science. Wang agrees to join the group and investigate and soon must confront events that seem to defy the laws of physics. He also logs on to a highly sophisticated virtual reality game called “Three Body,” set on a planet whose unpredictable and often deadly environment alternates between Stable times and Chaotic times. And he meets Ye Wenjie, rehabilitated and now a retired professor. Ye begins to tell Wang what happened more than 40 years ago. Jaw-dropping revelations build to a stunning conclusion. In concept and development, it resembles top-notch Arthur C. Clarke or Larry Niven but with a perspective—plots, mysteries, conspiracies, murders, revelations and all—embedded in a culture and politic dramatically unfamiliar to most readers in the West, conveniently illuminated with footnotes courtesy of translator Liu.
Remarkable, revelatory and not to be missed.Pub Date: Nov. 11, 2014
ISBN: 978-0-7653-7706-7
Page Count: 400
Publisher: Tor
Review Posted Online: Oct. 4, 2014
Kirkus Reviews Issue: Oct. 15, 2014
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by Cixin Liu ; translated by Joel Martinsen
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BOOK TO SCREEN
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by Blake Crouch ‧ RELEASE DATE: June 11, 2019
An exciting, thought-provoking mind-bender.
In Crouch’s sci-fi–driven thriller, a machine designed to help people relive their memories creates apocalyptic consequences.
In 2018, NYPD Detective Barry Sutton unsuccessfully tries to talk Ann Voss Peters off the edge of the Poe Building. She claims to have False Memory Syndrome, a bewildering condition that seems to be spreading. People like Ann have detailed false memories of other lives lived, including marriages and children, but in “shades of gray, like film noir stills.” For some, like Ann, an overwhelming sense of loss leads to suicide. Barry knows loss: Eleven years ago, his 15-year-old daughter, Meghan, was killed by a hit-and-run driver. Details from Ann’s story lead him to dig deeper, and his investigation leads him to a mysterious place called Hotel Memory, where he makes a life-altering discovery. In 2007, a ridiculously wealthy philanthropist and inventor named Marcus Slade offers neuroscientist Helena Smith the chance of a lifetime and an unlimited budget to build a machine that allows people to relive their memories. He says he wants to “change the world.” Helena hopes that her mother, who suffers from Alzheimer’s, will benefit from her passion project. The opportunity for unfettered research is too tempting to turn down. However, when Slade takes the research in a controversial direction, Helena may have to destroy her dream to save the world. Returning to a few of the themes he explored in Dark Matter (2016), Crouch delivers a bullet-fast narrative and raises the stakes to a fever pitch. A poignant love story is woven in with much food for thought on grief and the nature of memories and how they shape us, rounding out this twisty and terrifying thrill ride.
An exciting, thought-provoking mind-bender.Pub Date: June 11, 2019
ISBN: 978-1-5247-5978-0
Page Count: 336
Publisher: Crown
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
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