by Cixin Liu ; translated by Joel Martinsen ‧ RELEASE DATE: Aug. 14, 2018
Consistently surprising and absorbing—just not for the usual reasons.
A new science-fiction venture from the award-winning Chinese author of the brilliant alien-contact trilogy concluded with Death’s End (2016), whose readers, hopefully, learned to expect the unexpected.
As a boy, Chen—we’re offered no other name—watches in helpless horror as ball lightning engendered by a powerful electrical storm incinerates his parents. He dedicates his career to studying this baffling but well-attested natural phenomenon. His investigations take him to a remote mountaintop where he encounters Lin Yun, a young and extremely attractive army major obsessed with weaponizing such forces of nature as lightning. Encouraged by Lin’s enthusiasm and single-mindedness after years of futile theoretical modeling and pursuing dead ends, Chen glimpses the beginnings of a breakthrough, while his compulsive need for answers helps him suppress doubts about Lin’s ultimate goals. But neither Lin nor her superiors suffer from any such inhibitions, and they bring in Ding Yi, a brilliant physicist utterly indifferent to any real-world consequences his discoveries and conclusions might have. Fascinating conundrums and intriguing extrapolations abound—Liu demands a basic scientific literacy of his readers—but the story lacks the visceral tension, generated by the existential threat of hostile aliens, that gave the previous trilogy its edgy brilliance. What’s of greater import here is the way Liu’s approach differs from what we might expect. When, for instance, philosophical considerations arise, Liu tackles them head-on, as few English-language writers care to do. We might expect such a complementary pair of protagonists to become romantically involved—but no. When Liu writes of war breaking out, we would certainly ask why and against whom: questions that hold no interest for Liu, who declines to enlighten us. And what other writer would select a first-person narrator who later proceeds to write himself almost completely out of the narrative?
Consistently surprising and absorbing—just not for the usual reasons.Pub Date: Aug. 14, 2018
ISBN: 978-0-7653-9407-1
Page Count: 304
Publisher: Tor
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: June 15, 2018
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by Cixin Liu ; translated by Joel Martinsen
BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Pierce Brown ‧ RELEASE DATE: Jan. 28, 2014
A fine novel for those who like to immerse themselves in alternative worlds.
Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.
In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.
A fine novel for those who like to immerse themselves in alternative worlds.Pub Date: Jan. 28, 2014
ISBN: 978-0-345-53978-6
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
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