The author of The Patron Saint of Liars (1992) takes risks in her absorbing second novel—about a middle-aged black man who runs a blues club in Memphis—which has a good beginning and end but a static middle. A young white woman named Fay Taft from east Tennessee comes into the club one night looking for a job. When she begins waiting tables there, her brother Carl—who is involved in drugs—also starts hanging around. They have a strange intimacy with the narrator, John Nickel; he feels protective of them, partly because he is far from his own son, Franklin, who is living in Miami with his mother, Marion. Fay reveals that she and Carl moved to Memphis after their father's death, and John begins imagining the life of this man (whom he always thinks of simply as ``Taft'') in passages that alternate with the main plot. Although the narrator's slow, laid-back cadences are well-realized, the story hits a lull before emerging into a more active ending. The relationship between Fay and John is never completely clear; when she reveals that she is about to turn 18 and proposes marriage, it is more of a shock than it ought to be. Furthermore, it seems unlikely that John, a former musician who recognizes immediately that Fay's brother is using drugs and can differentiate between his various highs, would not realize that Carl might be a dealer until someone else mentions it to him. On the other hand, memories of his early days with Marion, and the admission that not marrying her when she was 18 and pregnant was a far-reaching error, are remarkably straightforward and honest. A strikingly original and thoroughly conceived bluesy voice, though the story it tells has some holes in logic. (Author tour)
Pub Date: Oct. 3, 1994
ISBN: 0-395-69461-2
Page Count: 288
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1994
A lovely, painful book: Walker's finest work yet.
Walker (In Love and Trouble, Meridian) has set herself the task of an epistolary novel—and she scores strongly with it.
The time is in the Thirties; a young, black, Southern woman named Celie is the primary correspondent (God being her usual addressee); and the life described in her letters is one of almost impossible grimness. While young, Celie is raped by a stepfather. (Even worse, she believes him to be her real father.) She's made to bear two children that are then taken away from her. She's married off without her consent to an older man, Albert, who'd rather have Celie's sister Nettie—and, by sacrificing her body to Albert without love or feeling, Celie saves her sister, making it possible for her to escape: soon Nettle goes to Africa to work as a Christian missionary. Eventually, then, halfway through the book, as Celie's sub-literate dialect letters to God continue to mount (eventually achieving the naturalness and intensity of music, equal in beauty to Eudora Welty's early dialect stories), letters from Nettie in Africa begin to arrive. But Celie doesn't see them—because Albert holds them back from her. And it's only when Celie finds an unlikely redeemer—Albert's blues-singer lover Shug Avery—that her isolation ends: Shug takes Celie under her wing, becomes Celie's lover as well as Albert's; Shug's strength and expansiveness and wisdom finally free up Nettie's letters—thus granting poor Celie a tangible life in the now (Shug's love, encouragement) as well as a family life, a past (Nettie's letters). Walker fashions this book beautifully—with each of Celie's letters slowly adding to her independence (the implicit feminism won't surprise Walker's readers), with each letter deepening the rich, almost folk-tale-ish sense of story here. And, like an inverted pyramid, the novel thus builds itself up broadeningly while balanced on the frailest imaginable single point: the indestructibility—and battered-ness—of love.
A lovely, painful book: Walker's finest work yet.Pub Date: June 28, 1982
ISBN: 0151191549
Page Count: 316
Publisher: Harcourt Brace Jovanovich
Review Posted Online: Oct. 6, 2011
Kirkus Reviews Issue: June 1, 1982
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Shalvis’ latest retains her spark and sizzle.
Piper Manning is determined to sell her family’s property so she can leave her hometown behind, but when her siblings come back with life-changing secrets and her sexy neighbor begins to feel like “The One,” she might have to redo her to-do list.
As children, Piper and her younger siblings, Gavin and Winnie, were sent to live with their grandparents in Wildstone, California, from the Congo after one of Gavin’s friends was killed. Their parents were supposed to meet them later but never made it. Piper wound up being more of a parent than her grandparents, though: “In the end, Piper had done all the raising. It’d taken forever, but now, finally, her brother and sister were off living their own lives.” Piper, the queen of the bullet journal, plans to fix up the family’s lakeside property her grandparents left the three siblings when they died. Selling it will enable her to study to be a physician’s assistant as she’s always wanted. However, just as the goal seems in sight, Gavin and Winnie come home, ostensibly for Piper’s 30th birthday, and then never leave. Turns out, Piper’s brother and sister have recently managed to get into a couple buckets of trouble, and they need some time to reevaluate their options. They aren’t willing to share their problems with Piper, though they’ve been completely open with each other. And Winnie, who’s pregnant, has been very open with Piper’s neighbor Emmitt Reid and his visiting son, Camden, since the baby’s father is Cam’s younger brother, Rowan, who died a few months earlier in a car accident. Everyone has issues to navigate, made more complicated by Gavin and Winnie’s swearing Cam to secrecy just as he and Piper try—and fail—to ignore their attraction to each other. Shalvis keeps the physical and emotional tension high, though the siblings’ refusal to share with Piper becomes tedious and starts to feel childish.
Shalvis’ latest retains her spark and sizzle.Pub Date: Jan. 28, 2020
ISBN: 978-0-06-296139-6
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Nov. 15, 2019
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