A leisurely, moving tale of intimacy and art with a lovingly drawn Italian setting.
In Wadsworth’s novel, an American freelance journalist finds both drama and community in central Italy.
Forty-five-year-old Allyn “Ally” Crosbie is in Perugia to interview Piero DiBrufa, the mysterious librettist for Sirius, a local upcoming opera. But DiBrufa refuses to cooperate, so Ally’s editor tells her to “find something or someone in Perugia to write about…or move on.” Her story-hunting leads her to Scottish pianist Vincent Norrie, who’s trying to write an opera of his own and with whom she quickly develops a warm camaraderie. At a dinner for local arts heavyweights, Ally also meets the elusive Elaine Bishop—Sirius’ stage director and Vincent’s longtime friend who becomes the subject of Ally’s piece. As Vincent’s health mysteriously declines and further crises erupt at the opera, Ally must rethink the story she came to write while navigating the delicate triangle that she, Elaine, and Vincent have formed. The narrative takes a while to get going amid Ally’s one-off encounters and her dismissal of her editor’s demands for material. But Wadsworth plays the long game, and readers will easily settle into Perugian life; well-drawn side characters, including Ally’s headstrong apartment lessor, Signora Caccini, and bookseller Italo Montecalvo, add color to the narrative. Ally and Elaine’s will-they, won’t-they journey feels genuine and grounded, if sometimes hesitant. Wadsworth excels at depicting the complicated love between Ally and Vincent, two queer characters whose intimacy is vivid and authentic. Humor sneaks in, as when Ally eavesdrops on a conversation while a spider creeps up her neck and in this exchange between Vincent and Ally: “ ‘And what new idea did you come up with for the beginning of my opera?’ ‘I think I had some sort of sexual encounter with a washing machine.’ ” Compared to the characters’ emotional depth, the plot twists involving the opera feel a bit flat, but they ably flesh out a vibrant part of Italy that may be unfamiliar to international readers.
A leisurely, moving tale of intimacy and art with a lovingly drawn Italian setting.Pub Date: Sept. 22, 2022
ISBN: 978-1627879873
Page Count: 356
Publisher: Wheatmark
Review Posted Online: Dec. 9, 2022
Kirkus Reviews Issue: Feb. 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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