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LIGHT, COMING BACK

Wadsworth seems afraid to venture outside straightforward narrative realism—the characters we care about disappear well...

A sometimes charming but more often inefficient debut about “a fifty-nine-year-old woman, happily married, infatuated with a young woman half her age.”

Mrs. Medina married Mr. Medina, a famous cellist, when she was 36 and he almost 60. It’s now two-and-a-half decades later, and while Patrick is on his way out, Mercedes is just hitting cruising speed. The two have had enough of a wonderful life that Mrs. Medina worries over the size of the chunks of meat that she cuts for her husband and closely monitors the one cigar he’s allowed each month. Still, when Mercedes’ latent instincts awaken with the arrival of Lennie, a young beautiful woman who works in a local flower store and who may have some dirty dealings, the impulse cannot be ignored. Mercedes confides in a university colleague, and it’s nice to know that even at the highest reaches of academia the simple phrase “I think I’m in love” can cause the stuffiest of intellectuals to abandon their scholarship and titter like teenagers. Mrs. Medina even tells Patrick about the affair—but not to worry: Patrick has an eye for the young “stacked” ones, too, and he’s a good sport about it. Patrick becomes a consistent source of humor and poignancy, and his portrait as a lesson on aging is worth the price of admission—but he’s not the main character. Mercedes’ affair comes and goes, and Patrick dies, and it’s a good thing that only the rich become lovelorn because in this world a broken heart is a serious condition requiring expensive therapy and a live-in cook. Mercedes in truth seems a little light. When she is slow to catch on to Lennie’s shenanigans, it undermines her weight as a serious intellect. Final message? Everyone loves beautiful young women—good thing there are enough to go around.

Wadsworth seems afraid to venture outside straightforward narrative realism—the characters we care about disappear well before the end.

Pub Date: Oct. 1, 2001

ISBN: 1-55583-633-X

Page Count: 340

Publisher: Alyson

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2001

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SUMMER SECRETS

As she seeks to repair bridges, Cat awakens anger and treachery in the hearts of those she once betrayed. Making amends,...

Before sobriety, Catherine "Cat" Coombs had it all: fun friends, an exciting job, and a love affair with alcohol. Until she blacked out one more time and woke up in a stranger’s bed.

By that time, “having it all” had already devolved into hiding the extent of her drinking from everyone she cared about, including herself. Luckily for Cat, the stranger turned out to be Jason Halliwell, a rather delicious television director marking three years, eight months, and 69 days of sobriety. Inspired by Jason—or rather, inspired by the prospect of a romantic relationship with this handsome hunk—Cat joins him at AA meetings and embarks on her own journey toward clarity. But sobriety won’t work until Cat commits to it for herself. Their relationship is tumultuous, as Cat falls off the wagon time and again. Along the way, Cat discovers that the cold man she grew up endlessly failing to please was not her real father, and with his death, her mother’s secret escapes. So she heads for Nantucket, where she meets her drunken dad and two half sisters—one boisterously welcoming and the other sulkily suspicious—and where she commits an unforgivable blunder. Years later, despairing of her persistent relapses, Jason has left Cat, taking their daughter with him. Finally, painfully, Cat gets clean. Green (Saving Grace, 2014, etc.) handles grim issues with a sure hand, balancing light romance with tense family drama. She unflinchingly documents Cat’s humiliations under the influence and then traces her commitment to sobriety. Simultaneously masking the motivations of those surrounding our heroine, Green sets up a surprising karmic lesson.

As she seeks to repair bridges, Cat awakens anger and treachery in the hearts of those she once betrayed. Making amends, like addiction, may endanger her future.

Pub Date: June 23, 2015

ISBN: 978-1-250-04734-2

Page Count: 320

Publisher: St. Martin's

Review Posted Online: April 1, 2015

Kirkus Reviews Issue: April 15, 2015

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OWEN FOOTE, MONEY MAN

In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)

Pub Date: Sept. 18, 2000

ISBN: 0-618-02369-0

Page Count: 96

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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