As she seeks to repair bridges, Cat awakens anger and treachery in the hearts of those she once betrayed. Making amends,...
Before sobriety, Catherine "Cat" Coombs had it all: fun friends, an exciting job, and a love affair with alcohol. Until she blacked out one more time and woke up in a stranger’s bed.
By that time, “having it all” had already devolved into hiding the extent of her drinking from everyone she cared about, including herself. Luckily for Cat, the stranger turned out to be Jason Halliwell, a rather delicious television director marking three years, eight months, and 69 days of sobriety. Inspired by Jason—or rather, inspired by the prospect of a romantic relationship with this handsome hunk—Cat joins him at AA meetings and embarks on her own journey toward clarity. But sobriety won’t work until Cat commits to it for herself. Their relationship is tumultuous, as Cat falls off the wagon time and again. Along the way, Cat discovers that the cold man she grew up endlessly failing to please was not her real father, and with his death, her mother’s secret escapes. So she heads for Nantucket, where she meets her drunken dad and two half sisters—one boisterously welcoming and the other sulkily suspicious—and where she commits an unforgivable blunder. Years later, despairing of her persistent relapses, Jason has left Cat, taking their daughter with him. Finally, painfully, Cat gets clean. Green (Saving Grace, 2014, etc.) handles grim issues with a sure hand, balancing light romance with tense family drama. She unflinchingly documents Cat’s humiliations under the influence and then traces her commitment to sobriety. Simultaneously masking the motivations of those surrounding our heroine, Green sets up a surprising karmic lesson.
As she seeks to repair bridges, Cat awakens anger and treachery in the hearts of those she once betrayed. Making amends, like addiction, may endanger her future.Pub Date: June 23, 2015
ISBN: 978-1-250-04734-2
Page Count: 320
Publisher: St. Martin's
Review Posted Online: April 1, 2015
Kirkus Reviews Issue: April 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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