Next book


The no romo love story aroaces have been waiting for.

Two aromantic asexual college students face off online while bonding IRL.

Chinese American first-year college student Sophie Chi (she/her) runs Dear Wendy, a popular anonymous Instagram account, where she provides relationship advice to her fellow Wellesley College students. She feels like she’s hitting her stride when a new anonymous Instagram account pops up, seemingly parodying her account. Fellow Wellesley student Jo Ephron (she/they), who’s white and has two moms, started Dear Wanda as a one-off joke for her friends. But as the account gains popularity, Wendy and Wanda begin to spar, creating a rivalry that wavers between playful and hostile. Meanwhile, Sophie and Jo meet as classmates and immediately strike up a friendship over their shared aroace identities, unaware of each other’s Instagram identities. As their friendship deepens and their online rivalry grows, the duo’s story hits all the beats and thrills of a will-they-won’t-they romance without compromising the deep satisfaction of an aroace love story. The first-person narration alternates between Sophie and Jo, although their voices are often difficult to distinguish. Still, their realistic concerns, excitement at their burgeoning friendship, and competitive sparring as Wendy and Wanda make them compelling protagonists. Relatable aroace concerns and conundrums provide an accessible window and mirror for anyone looking for quality representation that doesn’t tip into didacticism. Jo, Sophie, their friends, and their family members all have nuanced identities and strong relationships that enrich the narrative and worldbuilding.

The no romo love story aroaces have been waiting for. (Fiction. 14-18)

Pub Date: April 16, 2024

ISBN: 9781250885005

Page Count: 368

Publisher: Feiwel & Friends

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

Next book


A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

Next book


An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

Close Quickview