A hard, heartfelt read.

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I LIKE, I DON'T LIKE

A picture-book effort to raise consciousness in privileged readers about child labor and poverty.

On each spread, the simple text reads “I like [something]” on the verso and “I don’t like [the same something]” on the recto in order to juxtapose children set in very different, but related, scenes. The contrasting sentences and their accompanying mixed-media illustrations position the child who likes something as privileged and playful and the child who doesn’t like that same thing as exploited and oppressed while laboring. For example, facing pages that read, “I like shoes. / I don’t like shoes,” depict a white girl playing dress-up with high heeled shoes on the verso, while the recto illustration manipulates scale and depicts a barefoot child of color dwarfed by a large men’s dress shoe as she crouches before it with shoe-shine tools. The poignant, culminating spread breaks this established pattern and reads, “I like playing. / What is playing?” Throughout, striking illustrations include a racially diverse group of children in positions of privilege, but all the exploited child laborers appear to be children of color in different cultural contexts. Front- and backmatter pages reference the U.N.’s 1989 Convention on the Rights of the Child (noting that the United States has not ratified it) and point readers to organizations helping to reduce poverty and eliminate child labor.

A hard, heartfelt read. (Picture book. 4-8)

Pub Date: March 6, 2017

ISBN: 978-0-8028-5480-3

Page Count: 28

Publisher: Eerdmans

Review Posted Online: Jan. 17, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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A must-have book about the power of one’s voice and the friendships that emerge when you are yourself.

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THE DAY YOU BEGIN

School-age children encounter and overcome feelings of difference from their peers in the latest picture book from Woodson.

This nonlinear story centers on Angelina, with big curly hair and brown skin, as she begins the school year with a class share-out of summer travels. Text and illustrations effectively work together to convey her feelings of otherness as she reflects on her own summer spent at home: “What good is this / when others were flying,” she ponders while leaning out her city window forlornly watching birds fly past to seemingly faraway places. López’s incorporation of a ruler for a door, table, and tree into the illustrations creatively extends the metaphor of measuring up to others. Three other children—Rigoberto, a recent immigrant from Venezuela; a presumably Korean girl with her “too strange” lunch of kimchi, meat, and rice; and a lonely white boy in what seems to be a suburb—experience more-direct teasing for their outsider status. A bright jewel-toned palette and clever details, including a literal reflection of a better future, reveal hope and pride in spite of the taunting. This reassuring, lyrical book feels like a big hug from a wise aunt as she imparts the wisdom of the world in order to calm trepidatious young children: One of these things is not like the other, and that is actually what makes all the difference.

A must-have book about the power of one’s voice and the friendships that emerge when you are yourself. (Picture book. 4-8)

Pub Date: Aug. 28, 2018

ISBN: 978-0-399-24653-1

Page Count: 32

Publisher: Nancy Paulsen Books

Review Posted Online: June 11, 2018

Kirkus Reviews Issue: July 1, 2018

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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