A lighthearted look at the art and soul of a recipe.
Tomato or potato?
When Manhattan chefs had the gall to insert tomatoes into the classic New England clam chowder recipe, Maine politician Cleveland Sleeper took umbrage and action, drafting an attention-getting bill to require that “anyone caught poisoning the chowder cauldron with tomatoes will be forced to dig a barrel of clams at HIGH TIDE.” Colorful, whimsical illustrations and energetic, suspenseful text relate Sleeper’s culinary concerns with drama, humor, and gusto and show how a feud developed. Before the bill could be filed, a Philadelphia restaurateur challenged Sleeper’s personally selected chef to a duel, which resulted in a media frenzy and eventual answer to the question of which soup was really the best. This lighthearted look at local politics, cooking, and loyalty to tradition shows how, in a simpler time, showmanship, economics, and politics merged. (Maine clam chowder was a major tourist attraction, and Iowa, a producer of tomatoes, objected to government interference in cooking.) Though a bit scanty in detail—when this occurred (1939) is not mentioned until the endnotes, for instance—this quirky examination of tradition, food, and law presents a comic taste of state history and provides a background for consideration of media and politics as well as competition and cooking shows. Sleeper and other named characters present White; some people of color appear in illustrations. (This book was reviewed digitally with 10-by-16-inch double-page spreads viewed at 74.3% of actual size.)
A lighthearted look at the art and soul of a recipe. (bibliography) (Informational picture book. 5-9)Pub Date: Oct. 13, 2020
ISBN: 978-1-944762-82-7
Page Count: 32
Publisher: Islandport Press
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A powerful argument for seeing and celebrating color.
The love and appreciation of color shines through this vibrant retrospective on activism, courage, and resistance.
As an emphatic corrective to the oft-repeated but misguided phrase “I don’t see color,” luminous digital illustrations offer an unabashed education in race, culture, and the history of hard-fought social justice wins. An omniscient narrator sees a full palette, from the “smoky quartz” of Elizabeth and Roy Peratrovich, Tlingit activists whose advocacy led to the United States’ first anti-discrimination laws, to the “golden embers” of Native Hawaiian protesters such as Haunani-Kay Trask, who pushed for the U.S. government to acknowledge its role in overthrowing the Kingdom of Hawaii. Using color as a framework that goes beyond skin and race, this picture book celebrates well-known people and their accomplishments, including Dr. Martin Luther King Jr.’s speeches or the labor activism of Dolores Huerta and Cesar Chavez. The book also illuminates often-overlooked figures, such as Fred Korematsu, who brought a Supreme Court case against the U.S. government in 1944 over the incarceration of Japanese Americans; Madonna Thunder Hawk, who fought tirelessly against the Dakota Access Pipeline; and Ayọ Tometi, Alicia Garza, and Patrisse Cullors, who founded the Black Lives Matter movement. Each color that’s emphasized, from “powdered oak” to “gleaming stardust,” not only paints a rich portrait but also provides texture to a cause or cultural context. Backmatter includes authors’ notes and brief bios of the illustrious figures included throughout to guide further research.
A powerful argument for seeing and celebrating color. (Informational picture book. 5-9)Pub Date: June 4, 2024
ISBN: 9780063234260
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
Visually dazzling but should be supplemented with additional resources for a more comprehensive look at Juneteenth.
An exploration of the origins of Juneteenth.
It’s June 19, 1865, and as an enslaved Texan African American child named Huldah gets ready to celebrate their 10th birthday, soldiers arrive at the plantation to inform the inhabitants that slavery has ended and in fact has been over for two years. Though the plantation owners are angry, the formerly enslaved people rush to celebrate by sewing freedom flags. Created with fabric collage, the art in this work from quilter Taylor is stunning. The craftsmanship and attention to detail are breathtaking, and in an author’s note, Taylor shares that it took her over a year to create the quilts used for the book. However, the story offers a somewhat rosy depiction of the period. Not only does Huldah know their birthday and age, they have the double luxury of celebrating the day with their mother with tea cakes. The book is also thin on factual information. While in her author’s note, Taylor describes how she learned about Juneteenth in 2014 and why she was inspired to write and illustrate this work, she doesn’t include background on this holiday or the actual Juneteenth flag, which was created in 1997 by activist Ben Haith. Those seeking a more detailed history should pair this with Juneteenth (2006) by Vaunda Micheaux Nelson and Drew Nelson, illustrated by Mark Schroder, and All Different Now (2014) by Angela Johnson, illustrated by E.B. Lewis. (This book was reviewed digitally.)
Visually dazzling but should be supplemented with additional resources for a more comprehensive look at Juneteenth. (Historical picture book. 5-9)Pub Date: Jan. 3, 2023
ISBN: 978-0-8234-5224-8
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: Oct. 26, 2022
Kirkus Reviews Issue: Nov. 15, 2022
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