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THE GIRL IN THE SHOW

THREE GENERATIONS OF COMEDY, CULTURE, AND FEMINISM

A solid but not groundbreaking chronicle of women’s long, excruciating fights for laughs.

The struggle to do stand-up comedy while female.

Journalist, producer, and documentarian Fields (Confessions of a Rebel Debutante, 2010) interviewed dozens of female comedians—or what she calls “comedienne-ballerinas,” a term Phyllis Diller coined in 1986—to create this informative, timely, occasionally pedantic work about feminism and women in comedy. Charlie Chaplin famously said, “all you need to make a movie is a park, a policeman, and a pretty girl,” underscoring the age-old notion that women performers could be pretty but not funny. Indeed, women in Vaudeville burlesque would usually be depicted by men in drag. However, generations of American women since Lucille Ball and Elaine May have exploded that notion (the author sticks to American comedy), and Fields doggedly pursues these pioneers, from the crucial early influences (Moms Mabley, Sophie Tucker, Diller, and Ball, among others) to the lively current crop of active female comedians—Amy Schumer, Mindy Kaling, and others. What drives these women to expose themselves to ridicule by men, especially, or to endure the “two a night” rule (only two women comics onstage per night)? One primary reason is to support a family, as Diller had to do when her husband was out of work and she had six children to raise. Fields focuses on certain elements of stand-up comedy, as embraced by women—e.g., how to talk “blue” (about sex) and about “women’s issues” like abortion and menstruation that make men “queasy.” Should women comics pander to sexist stereotypes or challenge them? Ball was the first to use the experience of women’s everyday life to fill her shows as well as demonstrate the strong bond (rather than rivalry) between women friends (Lucy and Ethel); this dynamic would be replicated to enormous success in TV shows from Maude to Saturday Night Live. Despite some preachy passages about feminism, Fields provides a useful history and handbook for aspiring comics.

A solid but not groundbreaking chronicle of women’s long, excruciating fights for laughs.

Pub Date: Aug. 8, 2017

ISBN: 978-1-5107-1836-4

Page Count: 384

Publisher: Arcade

Review Posted Online: May 30, 2017

Kirkus Reviews Issue: June 15, 2017

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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GOOD ECONOMICS FOR HARD TIMES

Occasionally wonky but overall a good case for how the dismal science can make the world less—well, dismal.

“Quality of life means more than just consumption”: Two MIT economists urge that a smarter, more politically aware economics be brought to bear on social issues.

It’s no secret, write Banerjee and Duflo (co-authors: Poor Economics: A Radical Rethinking of the Way To Fight Global Poverty, 2011), that “we seem to have fallen on hard times.” Immigration, trade, inequality, and taxation problems present themselves daily, and they seem to be intractable. Economics can be put to use in figuring out these big-issue questions. Data can be adduced, for example, to answer the question of whether immigration tends to suppress wages. The answer: “There is no evidence low-skilled migration to rich countries drives wage and employment down for the natives.” In fact, it opens up opportunities for those natives by freeing them to look for better work. The problem becomes thornier when it comes to the matter of free trade; as the authors observe, “left-behind people live in left-behind places,” which explains why regional poverty descended on Appalachia when so many manufacturing jobs left for China in the age of globalism, leaving behind not just left-behind people but also people ripe for exploitation by nationalist politicians. The authors add, interestingly, that the same thing occurred in parts of Germany, Spain, and Norway that fell victim to the “China shock.” In what they call a “slightly technical aside,” they build a case for addressing trade issues not with trade wars but with consumption taxes: “It makes no sense to ask agricultural workers to lose their jobs just so steelworkers can keep theirs, which is what tariffs accomplish.” Policymakers might want to consider such counsel, especially when it is coupled with the observation that free trade benefits workers in poor countries but punishes workers in rich ones.

Occasionally wonky but overall a good case for how the dismal science can make the world less—well, dismal.

Pub Date: Nov. 12, 2019

ISBN: 978-1-61039-950-0

Page Count: 432

Publisher: PublicAffairs

Review Posted Online: Aug. 28, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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