Despite predictability and second-book syndrome, a generally fast and enjoyable read of interpersonal drama and rescues.

TETHER

Back on Earth and discontented after the events of Tandem (2013), Sasha returns to Aurora for the boy she left behind.

Sasha can’t stand not knowing whether or not Thomas is well, and after Aurora, Earth just doesn’t feel right anymore. She receives a message that Thomas is alive, investigates her parents’ connection to the alternate worlds and returns. There, she meets a third analog, Selene, the last oracle of a dying world in a different universe. It is prophesied that Selene may save her world, but she needs her two analogs, Sasha and Princess Juliana, to do it. While the addition of Selene (and a handful of others) draws focus away from the characters of the first book, it creates an interesting dynamic for the analogs. Sasha and Selene bond quickly, but their psychic connection to Juliana is weaker because of the tension between her and Sasha. Sasha and Selene must escape the villainous General to find the missing princess and convince her to go save Selene’s world. Meanwhile Juliana, held captive by rebels, is given complexity and a romantic storyline of her own in occasional third-person sections. The exposition’s better consolidated in this outing than before, coming in short bursts, then cutting back to the action, but sometimes feels like infodumps. After a chaotic climax, the ending predictably sets up the next book.

Despite predictability and second-book syndrome, a generally fast and enjoyable read of interpersonal drama and rescues. (Science fantasy. 12 & up)

Pub Date: March 10, 2015

ISBN: 978-0-385-74279-5

Page Count: 320

Publisher: Delacorte

Review Posted Online: Jan. 10, 2015

Kirkus Reviews Issue: Jan. 15, 2015

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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How can such a hefty tome be un-put-down-able excitement from beginning to end? (glossary) (Fantasy. 14 & up)

CROOKED KINGDOM

From the Six of Crows series , Vol. 2

This hefty sequel to Six of Crows (2015) brings high-tension conclusions to the many intertwined intrigues of Ketterdam.

It's time for revenge—has been ever since old-before-his-time crook Kaz and his friends were double-crossed by the merchant princes of Ketterdam, an early-industrial Amsterdam-like fantasy city filled to the brim with crime and corruption. Disabled, infuriated, and perpetually scheming Kaz, the light-skinned teen mastermind, coordinates the efforts to rescue Inej. Though Kaz is loath to admit weakness, Inej is his, for he can't bear any harm come to the knife-wielding, brown-skinned Suli acrobat. Their team is rounded out by Wylan, a light-skinned chemist and musician whose merchant father tried to have him murdered and who can't read due to a print disability; Wylan's brown-skinned biracial boyfriend, Jesper, a flirtatious gambler with ADHD; Nina, the pale brunette Grisha witch and recovering addict from Russia-like Ravka; Matthias, Nina's national enemy and great love, a big, white, blond drüskelle warrior from the cold northern lands; and Kuwei, the rescued Shu boy everyone wants to kidnap. Can these kids rescue everyone who needs rescuing in Ketterdam's vile political swamp? This is dark and violent—one notable scene features a parade of teens armed with revolvers, rifles, pistols, explosives, and flash bombs—but gut-wrenchingly genuine. Astonishingly, Bardugo keeps all these balls in the air over the 500-plus pages of narrative.

How can such a hefty tome be un-put-down-able excitement from beginning to end? (glossary) (Fantasy. 14 & up)

Pub Date: Sept. 27, 2016

ISBN: 978-1-62779-213-4

Page Count: 560

Publisher: Henry Holt

Review Posted Online: Aug. 2, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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