Me: A Rewrite

FROM VANITY INSANITY TO SELF-ACCEPTANCE (SORT OF)

A zany and refreshing, if slightly overwhelming, take on soul-searching, writing, and midlife crises.

In this debut memoir, a woman turns her quest for something new into a comedic adventure.

“My journey,” Jorgensen writes in her foreword, “follows a route of randomness (though, if asked, I’ll totally deny that and say I planned it all out—with bullet point lists and highlighter pens).” The half-Mexican, half-Danish author describes herself as “hot-tempered, loud, and direct,” and these attributes come across clearly as she relates her childhood, working life, and a divorce that set her on a path of rediscovery in her late 30s. She details the journey of her “Little Mother” from Mexico to Canada, and her own youth spent in small towns throughout Canada’s Comox Valley: “If it had the word ‘river’ in its name or running though it, there’s a good chance I was there,” she writes. As an adult “Realty Lady,” she found herself trapped by her false salesperson persona, 80-hour-plus work weeks, and her marriage to a good man who just wasn’t right for her. She escaped that life by taking an intensive writing course at TheFilmSchool in Seattle and then trying her hand at dating, which resulted in a “HBUAB” (“handsome but unworthy American Boyfriend”) and, later, a continuing series of romantic and professional misadventures throughout the Pacific Northwest. Jorgensen’s prose style has the casual, carefree energy of many contemporary tell-all bloggers, and she often interjects self-deprecating parentheticals, bullet lists, and satirical strike-throughs into her story. Like many comedians, she turns the most upsetting moments of her life—including deaths, divorce, infidelity, and sexual abuse—into dark jokes. She exhaustively offers her opinions on such topics as popular culture, toothpaste, self-perception, and, of course, relationships, with witty wordplay and outlandish observations. The memoir’s manic pace and playful grammatical structures don’t feel particularly innovative or original, however, and it’s easy to get lost in its dense tangents. The author also lacks the precision and structure of the dark-comedy masters, such as David Sedaris. However, she’s consistently bold, shocking, and hilarious. Readers looking for a laugh won’t be disappointed, and those tired of heavier, more traditional memoirs about modern women’s struggles will be pleasantly surprised.

A zany and refreshing, if slightly overwhelming, take on soul-searching, writing, and midlife crises.

Pub Date: Aug. 1, 2014

ISBN: N/A

Page Count: -

Publisher: CreateSpace

Review Posted Online: March 24, 2015

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Readers Vote
  • 16


Our Verdict

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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