Transitions aside, a smoothly designed diversion, with plenty of child appeal and definite vocabulary-building potential.

CUDDLEFISH FRIENDS

AN UNDERWATER INTERACTIVE ADVENTURE

Light washes of natural science flavor this hypersweet tale of a polka-dot cuttlefish and friends at play on a coral reef.

Cecil the cuttlefish, “wig-wagging past the sea anemones, over the tunicates,” meets his royal friend, Justin the sea horse, and other playmates at the Grand Palais de Coral. There, they “pal around among the gentry” and have a sleepover after enjoying “the best plankton shakes this side of the prime meridian!” Depicted Finding Nemo style in glowing colors with rounded, babyish bodies and anthropomorphic faces, the aquatic figures change color, throw sand, belch or giggle at a tap as they float through elaborately finished marine settings and palace chambers. Along with a spirited (optional) audio reading, tapping any word in the scrolling text produces a vocalization—though not a definition: Readers hazy on, for instance, the differences between “sea anemones” and “tunicates” will need to look elsewhere. Moreover the screen blacks out briefly (except for a seashell “loading” icon) between illustrations, and there is no index to allow selecting scenes or starting over.

Transitions aside, a smoothly designed diversion, with plenty of child appeal and definite vocabulary-building potential. (iPad storybook app. 3-6)

Pub Date: Sept. 22, 2013

ISBN: N/A

Page Count: -

Publisher: SuperBot Entertainment and Section Studios

Review Posted Online: Oct. 20, 2013

Kirkus Reviews Issue: Nov. 1, 2013

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Safe to creep on by.

LOVE FROM THE VERY HUNGRY CATERPILLAR

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 2, 2021

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As ephemeral as a valentine.

LOVE FROM THE CRAYONS

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 2, 2021

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