A first novel of great charm that attempts to penetrate the unique genius of the Italian family, both in Italy and in its American version. Here, a first-generation American teenager summers with her relatives in Calabria, and finds within the sanctuary of family not only an acceptance of her passionate 17- year-old self, but a view into the harsh past of her father, whom she adores and from whom she yearns to be free. ``The Italian part of me has been at war with the American me as long as I can remember.'' Thus speaks Guilia di Cuore, only child of tender, loving widower Nicola—a psychiatrist who arrived in Ohio at age 29 and who's since built walls of restrictions to block off for his adored child the siren songs coming from her peers. Dateless, rebellious Guilia agrees to visit the di Cuore family in Italy, who are set for another sunny summer in a cheerfully crumbling beach cottage—where the overstuffed refrigerator wheezes like a baby, where a beachful of minimally clad neighbors and friends of all ages sun while aunts prepare huge midday dinners. Guilia is happy—and soon headlong in love with Luca, friend of a cousin. Love amid sun and sea and rides on the motorino, clinging to Luca's back, are paradise. Then for the first time in 20 years, Nicola also returns, and behind him Guilia can sense her powerful peasant grandfather. After he leaves, Guilia heads for Rome—with Luca and with a fading fantasy of becoming an Italian housewife and mother. But for her there'll be a final road away from the obligations to both cultures and toward the self. Monardo writes with an easy confidentiality, and her affectionate appraisal of a world of kin, shrewd but without bitterness, might remind one of an early Mary Gordon scan of her Irish/American enclave. An alluring tribute to love—of first love, of family, of Italy.
Pub Date: Aug. 1, 1993
ISBN: 0-385-42606-2
Page Count: 304
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1993
BOOK REVIEW
This is the sort of book that stirs one so deeply that it is almost impossible to attempt to convey the impression it leaves. It is the story of today's Exodus, of America's great trek, as the hordes of dispossessed tenant farmers from the dust bowl turn their hopes to the promised land of California's fertile valleys. The story of one family, with the "hangers-on" that the great heart of extreme poverty sometimes collects, but in that story is symbolized the saga of a movement in which society is before the bar. What an indictment of a system — what an indictment of want and poverty in the land of plenty! There is flash after flash of unforgettable pictures, sharply etched with that restraint and power of pen that singles Steinbeck out from all his contemporaries. There is anger here, but it is a deep and disciplined passion, of a man who speaks out of the mind and heart of his knowledge of a people. One feels in reading that so they must think and feel and speak and live. It is an unresolved picture, a record of history still in the making. Not a book for casual reading. Not a book for unregenerate conservative. But a book for everyone whose social conscience is astir — or who is willing to face facts about a segment of American life which is and which must be recognized. Steinbeck is coming into his own. A new and full length novel from his pen is news. Publishers backing with advertising, promotion aids, posters, etc. Sure to be one of the big books of the Spring. First edition limited to half of advance as of March 1st. One half of dealer's orders to be filled with firsts.
Pub Date: April 14, 1939
ISBN: 0143039431
Page Count: 532
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: April 1, 1939
Though all the surface elements are in place, Picoult falters in her exploration of what turns a quiet kid into a murderer.
Picoult’s 14th novel (after The Tenth Circle, 2006, etc.) of a school shooting begins with high-voltage excitement, then slows by the middle, never regaining its initial pace or appeal.
Peter Houghton, 17, has been the victim of bullying since his first day of kindergarten, made all the more difficult by two factors: In small-town Sterling, N.H., Peter is in high school with the kids who’ve tormented him all his life; and his all-American older brother eggs the bullies on. Peter retreats into a world of video games and computer programming, but he’s never able to attain the safety of invisibility. And then one day he walks into Sterling High with a knapsack full of guns, kills ten students and wounds many others. Peter is caught and thrown in jail, but with over a thousand witnesses and video tape of the day, it will be hard work for the defense to clear him. His attorney, Jordan McAfee, hits on the only approach that might save the unlikable kid—a variation of Post Traumatic Stress Disorder caused by bullying. Thrown into the story is Judge Alex Cormier, and her daughter Josie, who used to be best friends with Peter until the popular crowd forced the limits of her loyalty. Also found dead was her boyfriend Matt, but Josie claims she can’t remember anything from that day. Picoult mixes McAfee’s attempt to build a defense with the mending relationship of Alex and Josie, but what proves a more intriguing premise is the response of Peter’s parents to the tragedy. How do you keep loving your son when he becomes a mass murderer? Unfortunately, this question, and others, remain, as the novel relies on repetition (the countless flashbacks of Peter’s victimization) rather than fresh insight. Peter fits the profile, but is never fully fleshed out beyond stereotype. Usually so adept at shaping the big stories with nuance, Picoult here takes a tragically familiar event, pads it with plot, but leaves out the subtleties of character.
Though all the surface elements are in place, Picoult falters in her exploration of what turns a quiet kid into a murderer.Pub Date: March 6, 2007
ISBN: 0-7434-9672-8
Page Count: 352
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2007
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