A first novel of great charm that attempts to penetrate the unique genius of the Italian family, both in Italy and in its American version. Here, a first-generation American teenager summers with her relatives in Calabria, and finds within the sanctuary of family not only an acceptance of her passionate 17- year-old self, but a view into the harsh past of her father, whom she adores and from whom she yearns to be free. ``The Italian part of me has been at war with the American me as long as I can remember.'' Thus speaks Guilia di Cuore, only child of tender, loving widower Nicola—a psychiatrist who arrived in Ohio at age 29 and who's since built walls of restrictions to block off for his adored child the siren songs coming from her peers. Dateless, rebellious Guilia agrees to visit the di Cuore family in Italy, who are set for another sunny summer in a cheerfully crumbling beach cottage—where the overstuffed refrigerator wheezes like a baby, where a beachful of minimally clad neighbors and friends of all ages sun while aunts prepare huge midday dinners. Guilia is happy—and soon headlong in love with Luca, friend of a cousin. Love amid sun and sea and rides on the motorino, clinging to Luca's back, are paradise. Then for the first time in 20 years, Nicola also returns, and behind him Guilia can sense her powerful peasant grandfather. After he leaves, Guilia heads for Rome—with Luca and with a fading fantasy of becoming an Italian housewife and mother. But for her there'll be a final road away from the obligations to both cultures and toward the self. Monardo writes with an easy confidentiality, and her affectionate appraisal of a world of kin, shrewd but without bitterness, might remind one of an early Mary Gordon scan of her Irish/American enclave. An alluring tribute to love—of first love, of family, of Italy.
Pub Date: Aug. 1, 1993
ISBN: 0-385-42606-2
Page Count: 304
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1993
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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