by Anna Pignataro ; illustrated by Anna Pignataro ‧ RELEASE DATE: Nov. 3, 2015
Though it’s certainly well-meaning, it lacks the wit that brings such schoolroom dramas as Kevin Henkes’ and Peter McCarty’s...
Even in a world populated by anthropomorphic animals of all sorts, Agatha stands out.
She has her mom’s piggy ears and her dad’s bearish nose, and even at family gatherings, she doesn’t quite fit in. At her first birthday party, all the bears from her dad’s side of the family stand on verso, and all the pigs from her mother’s side stand on recto, with a smiling Agatha in the middle. Standing among her easily identifiable, unispecies kindergarten classmates, she realizes she’s “a little different from everyone else.” When their teacher asks each of her students what makes them special, Agatha is so mortified that she hides. But everyone misses her, and when she pops out from her hiding place, her classmates find many things about her special: most of all, Agatha is best at “being Agatha.” The illustrations resemble pencil drawing with touches of color, and the animals look more alike than different, which may be the point. The story doesn’t have much of a dramatic arc; celebrating Agatha’s difference is its main point. Agatha herself is certainly endearing, with her green dress and red shoes and winsome expression, but a teacher asking each child what makes them special—using the tired “special snowflake” cliché—is an idea fraught with pitfalls.
Though it’s certainly well-meaning, it lacks the wit that brings such schoolroom dramas as Kevin Henkes’ and Peter McCarty’s alive. (Picture book. 4-7)Pub Date: Nov. 3, 2015
ISBN: 978-1-4998-0096-8
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: Aug. 30, 2015
Kirkus Reviews Issue: Sept. 15, 2015
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by Margaret Hamilton ; illustrated by Anna Pignataro
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Tom Percival ; illustrated by Tom Percival ‧ RELEASE DATE: Sept. 3, 2019
A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their...
Ruby is an adventurous and happy child until the day she discovers a Worry.
Ruby barely sees the Worry—depicted as a blob of yellow with a frowny unibrow—at first, but as it hovers, the more she notices it and the larger it grows. The longer Ruby is affected by this Worry, the fewer colors appear on the page. Though she tries not to pay attention to the Worry, which no one else can see, ignoring it prevents her from enjoying the things that she once loved. Her constant anxiety about the Worry causes the bright yellow blob to crowd Ruby’s everyday life, which by this point is nearly all washes of gray and white. But at the playground, Ruby sees a boy sitting on a bench with a growing sky-blue Worry of his own. When she invites the boy to talk, his Worry begins to shrink—and when Ruby talks about her own Worry, it also grows smaller. By the book’s conclusion, Ruby learns to control her Worry by talking about what worries her, a priceless lesson for any child—or adult—conveyed in a beautifully child-friendly manner. Ruby presents black, with hair in cornrows and two big afro-puff pigtails, while the boy has pale skin and spiky black hair.
A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their feelings (. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-1-5476-0237-7
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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by Tom Percival ; illustrated by Tom Percival
by Tom Percival ; illustrated by Tom Percival
by Tom Percival ; illustrated by Tom Percival
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