by Anna Rose Johnson ‧ RELEASE DATE: July 12, 2022
A coming-of-age story with a kind heart and strong spirit.
A teen girl in early-20th-century Michigan faces loss and change.
Fourteen-year-old Norvia Nelson’s maternal grandfather, Grand-père, shared stories from their family’s Ojibwe culture and history before his death. But now, everything has changed. Norvia’s parents have divorced, and her French and Indian mother is rushing into a new marriage with a White man she barely knows. Worse still, she has asked Norvia and her siblings not to share the Native part of their background with their new stepfamily (the children’s father is a Swedish immigrant). Norvia takes inspiration from the heroines in her favorite novels: Little Women, Anne of Green Gables, and What Katy Did, among others. She is determined to become popular at her new high school and hopes to maybe even find a beau. Norvia struggles to navigate new relationships under the shadow of her parents’ divorce, which is the talk of the town. She is also torn between her love for her Native heritage and a desire to assimilate into her new life. Norvia proves to be a resilient and inspiring main character. Inspired by the author’s family history, this gentle novel nimbly and tenderly confronts topics including prejudice, the challenge of blending families, young love, and staying true to oneself.
A coming-of-age story with a kind heart and strong spirit. (author’s note, glossary and pronunciation guides, family photos) (Historical fiction. 8-13)Pub Date: July 12, 2022
ISBN: 978-0-8234-5040-4
Page Count: 224
Publisher: Holiday House
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
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BOOK REVIEW
by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Soman Chainani ; illustrated by Iacopo Bruno
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BOOK TO SCREEN
by Dan Bar-el ; illustrated by Kelly Pousette ‧ RELEASE DATE: Sept. 10, 2019
Quirky and imaginative—postmodern storytelling at its best.
Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.
Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.
Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)Pub Date: Sept. 10, 2019
ISBN: 978-1-5344-3341-0
Page Count: 272
Publisher: Atheneum
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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