Lessons in both gumption and the sacred nature of urban green spaces.
Mae desperately misses her garden after moving to the city, with its tall, crowded buildings and narrow streets; her new urban environment offers no “winding paths and leafy hiding spots” or butterfly chases “in the wavy grass.”
Light-skinned with bobbed chestnut hair tucked behind her ears, Mae tries to cheer herself up, which will deeply impress young readers who couldn’t imagine being transplanted (and perhaps seem even more admirable to those who have!). She covers a cobblestone square with chalk drawings of caterpillars, leaves, dragonflies, dandelions, bees, and grass; she covers towering cardboard moving boxes with apple trees, lily of the valley, birds, daisies, and ladybugs. But the rain washes away her pictures, and her dad totes away the boxes. While the city has its own appeal, its elegant buildings stretching skyward and its charming storefronts cheery, Mae’s melancholy bleeds through, coloring everything. Wan watercolors offer some soft pinks, mellow reds, and mossy greens, but overcast slate blues and grays dominate. Verdant, dazzling endpapers at the book’s very beginning (dappled leaves covering the spread completely, dotted with little wildflowers and the faces of a few woodland creatures) make Mae’s changed circumstances painfully clear. When she stumbles upon Florette, a greenhouse plant shop crawling with vines, leaves, cactus needles, and blossoms, Mae finally sees she can bloom where she’s been planted.
Lessons in both gumption and the sacred nature of urban green spaces. (Picture book. 4-8)Pub Date: Feb. 20, 2018
ISBN: 978-0-544-87683-5
Page Count: 40
Publisher: Clarion Books
Review Posted Online: Nov. 12, 2017
Kirkus Reviews Issue: Dec. 1, 2017
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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