A strong debut with compelling characters that passionately advocates for community, nature, and found family.
A woman transported back in time finds herself in the midst of a struggle between women connected to nature and a patriarchal religious group in Youens’ fantasy novel.
On a family holiday in Kent, England, the meticulously organized August and her husband, Andrew, visit Shepherd Neame, Britain’s oldest brewery, for a tasting tour. August is suddenly transported to an alternate timeline when the historic beer, called Five Bees, was first brewed. Waking up naked and confused, August stumbles to a doorstep, guided by a black cat named Hazel. Margaret, a local healer and wise woman, welcomes the strange traveler to the community. Mental to-do lists and a desire to get back to her daughter, Ripley, rage in August’s mind as she slowly learns Margaret’s way of living by the lunar cycle and the healing powers of natural ingredients. But all is not well in the village: The fields of “cosmos” mushrooms that provide sporelock—a turf mixed from “the pulp of the fungi with hay and manure” used for building—are being destroyed at “the hands of the Divine Sphere,” a patriarchal religious organization that threatens Margaret’s way of life and destroys the surrounding ecosystem. A vast mycelium network called the Mother, which women who are in tune with the natural world have connected to for generations, warns, “we must keep the balance.” Margaret and her small group must find a way to resist the Divine Sphere and continue their practice undetected while August searches for a way back home. Youens crafts compelling inner voices for August and Margaret, and the pages radiate with the warmth the author brings to their world. The extended metaphor of weaving effectively emphasizes the connection between the past and present timelines, which is maintained by individuals who work with the natural world to create the contemporary beer. Margaret’s emotional history is delivered with care. At times, the narrative dips into a “telling” rather than “showing” mode, but the magical elements of the story are consistently captivating.
A strong debut with compelling characters that passionately advocates for community, nature, and found family.Pub Date: Oct. 3, 2025
ISBN: 9781069512208
Page Count: 270
Publisher: Salt Line Press
Review Posted Online: Aug. 25, 2025
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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