Fans of uncomplicated, familycentric stories won’t be disappointed.
The adventures of Arturo continue (Arturo and the Navidad Birds, 2013) as he and his grandmother prepare a Salvadoran-style welcome-to-the-family dinner for Tía Inés’ fiance, Michael.
The interaction between Abue Rosa and her young grandson is comfortable and loving as they go about preparing pupusas, stuffed, tortillalike fried corn cakes. Together, they settle on a pickled slaw called curtido, fried plantains, chocolate almond cake, and fruit salad for the menu. Abue sets aside the hot pupusas, complaining of a headache. Instead of taking aspirin and plowing on, she welcomes Arturo’s invitation to lie down for a nap: “Why don’t you rest, Abue?” “Gracias, m’ijo. I will,” she says. “Call me in a few minutes and I will finish cooking.” Adding this smidgen of tension to an otherwise lightweight feel-good tale appears to be this subplot’s sole purpose. And it strains credulity. No nana worth her salt is going to let a headache get in her way when only the pupusas are ready—the curtido alone needs to rest in the fridge a minimum of two hours according to the appended recipe. Needless to say, Arturo’s ingenuity saves the day. He hastily assembles kid-friendly substitutions to the happy amazement of all. Lewis’ warm palette cocoons the characters in manifest familial love. In addition to the recipes and an author’s note, a glossary featuring many Anglicized phonetic pronunciations—“OB-way” for Abue instead of “Ah-bweh”—is included.
Fans of uncomplicated, familycentric stories won’t be disappointed. (Bilingual picture book. 4-7)Pub Date: Oct. 16, 2017
ISBN: 978-1-4556-2283-2
Page Count: 32
Publisher: Pelican
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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