PRISCILLA AND THE HOLLYHOCKS

“When I was young and still wore slavery’s yoke, I was saved by hollyhocks, and a white man’s kindness.” So begins the tale of a little girl, born into slavery on a Georgia plantation. Her mother is sold and the only remembrance Priscilla has of her are the hollyhocks she planted. Old Sylvia teaches her how to make hollyhock dolls and float them on the pond. Priscilla is soon put to work in the big house and meets a white man named Basil Silkwood, who tells her she’s smart and should be in school. When the master dies, she’s sold to a Cherokee family and is a part of the painful Trail of Tears march. Incredibly, on her way through a town, she recognizes Silkwood and speaks out to him. He follows the march to the encampment and buys Priscilla’s freedom. She becomes a part of the Silkwood family and plants the hollyhocks with these words: “Grow, I sang to the seeds. Bloom, I commanded the plants. Safe, I told myself. Home.” Simple, bold colorful paintings enhance a text many young readers will be able to decipher. Historical note and instructions to make a hollyhock doll are appended. (Picture book. 6-8)

Pub Date: Feb. 1, 2008

ISBN: 978-1-57091-675-5

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2008

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Rappaport makes this long struggle palpable and relevant, while Faulkner adds a winning mix of gravitas and high spirits.

ELIZABETH STARTED ALL THE TROUBLE

Rappaport examines the salient successes and raw setbacks along the 144-year-long road between the nation’s birth and women’s suffrage.

This lively yet forthright narrative pivots on a reality that should startle modern kids: women’s right to vote was only achieved in 1920, 72 years after Elizabeth Cady Stanton organized the first Women’s Rights Convention in Seneca Falls, New York. Indeed, time’s passage figures as a textual motif, connecting across decades such determined women as Stanton, Sojourner Truth, Susan B. Anthony, and Lucy Stone. They spoke tirelessly, marched, organized, and got arrested. Rappaport includes events such as 1913’s Women’s Suffrage Parade in Washington, D.C., but doesn’t shy from divisive periods like the Civil War. Faulkner’s meticulously researched gouache-and-ink illustrations often infuse scenes with humor by playing with size and perspective. As Stanton and Lucretia Mott sail into London in 1840 for the World Anti-Slavery Conference, Faulkner depicts the two women as giants on the ship’s upper deck. On the opposite page, as they learn they’ll be barred as delegates, they’re painted in miniature, dwarfed yet unflappable beneath a gallery full of disapproving men. A final double-page spread mingles such modern stars as Shirley Chisholm and Sonia Sotomayor amid the historical leaders.

Rappaport makes this long struggle palpable and relevant, while Faulkner adds a winning mix of gravitas and high spirits. (biographical thumbnails, chronology, sources, websites, further reading, author’s note) (Picture book/biography. 6-8)

Pub Date: Feb. 23, 2016

ISBN: 978-0-7868-5142-3

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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MR. LINCOLN’S BOYS

BEING THE MOSTLY TRUE ADVENTURES OF ABRAHAM LINCOLN’S TROUBLEMAKING SONS TAD AND WILLIE

Not much is heard about President Lincoln’s children, so Rabin fills a gap with this brief snapshot into the lives of two of them, Tad and Willie, which Ibatoulline illustrates with a softly drenched light that suggests yesteryear and a hint of melancholy, his images often evoking hand-tinted daguerreotypes. Working from historical documents, then embellishing to give the story a narrative, Rabin pleasingly draws two little rascals, full of practical jokes and absolute entitlement to their father’s attention, which the old stoic gives with imperturbable, beatific grace (while his aides bite their tongues). When the boys have second thoughts after condemning a toy soldier to death, they go to their father for a pardon; Abe consents with a wry “it makes me feel rested after a hard day’s work, to find some good excuse to save a man’s life.” An author’s note explains the genesis of the story and fleshes out the principals, including Tad and Willie, who, like their father, lived too-brief lives. (Picture book. 6-8)

Pub Date: Sept. 1, 2008

ISBN: 978-0-670-06169-3

Page Count: 40

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2008

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