by Anne Edwards ‧ RELEASE DATE: Aug. 20, 2001
Good fun for nonspecialists, but aficionados will want more substance. (16 pages b&w photos)
A serviceable account of the star-crossed diva—but it has much competition.
Perhaps the greatest prima donna of them all, Callas rose to stardom despite a horrific upbringing. Evangelia Callas, the stage mother from hell, was determined that her daughter would reap the money and social status that fate had denied her. She alienated Maria from her loving father and pimped Maria’s sister as a mistress. All this was acted out against the terrible backdrop of German-occupied Athens. Evangelia’s determination was not misplaced, however. Maria, although pimply and overweight, showed phenomenal talent from a young age. Owing to excellent training, great intelligence, fine acting abilities, and a limitless capacity for work, Callas eventually became the best-known opera singer in the world. Sadly, she did not enjoy success for long. Her voice deteriorated when still quite young. Manipulated and exploited by many (especially by her lover Aristotle Onassis), her career was over by her mid-40s and she was dead of a drug overdose at 53. Edwards (Ever After, 2000, etc.) tells Callas’s story efficiently and readably. There is, however, a dated, sensational quality to her writing, reminiscent of scandal sheets of years past. She also engages in that hoary British tradition of making fun of the nouveau riches of America, as if Albion has never been graced with that species. An air of sloppiness and haste pervades: needless repetitions of opera plots, and astonishingly poor word choices (she twice confuses “enervate” for “energize,” and she writes that Robert Kennedy’s assassination occurred “at a fund-raising affair”). Or consider this howler: “designer Piero Tosi (named for an ancestral forebear, the seventeenth-century castrato).” Edwards is a storyteller, not a cultural analyst. Once Callas is cremated and the last scandal is dealt with, she gives us a single perfunctory paragraph commenting on Callas’s impact and then ends it, rather like a college term paper written the night before.
Good fun for nonspecialists, but aficionados will want more substance. (16 pages b&w photos)Pub Date: Aug. 20, 2001
ISBN: 0-312-26986-2
Page Count: 352
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 15, 2001
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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SEEN & HEARD
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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