Good fun for nonspecialists, but aficionados will want more substance. (16 pages b&w photos)
A serviceable account of the star-crossed diva—but it has much competition.
Perhaps the greatest prima donna of them all, Callas rose to stardom despite a horrific upbringing. Evangelia Callas, the stage mother from hell, was determined that her daughter would reap the money and social status that fate had denied her. She alienated Maria from her loving father and pimped Maria’s sister as a mistress. All this was acted out against the terrible backdrop of German-occupied Athens. Evangelia’s determination was not misplaced, however. Maria, although pimply and overweight, showed phenomenal talent from a young age. Owing to excellent training, great intelligence, fine acting abilities, and a limitless capacity for work, Callas eventually became the best-known opera singer in the world. Sadly, she did not enjoy success for long. Her voice deteriorated when still quite young. Manipulated and exploited by many (especially by her lover Aristotle Onassis), her career was over by her mid-40s and she was dead of a drug overdose at 53. Edwards (Ever After, 2000, etc.) tells Callas’s story efficiently and readably. There is, however, a dated, sensational quality to her writing, reminiscent of scandal sheets of years past. She also engages in that hoary British tradition of making fun of the nouveau riches of America, as if Albion has never been graced with that species. An air of sloppiness and haste pervades: needless repetitions of opera plots, and astonishingly poor word choices (she twice confuses “enervate” for “energize,” and she writes that Robert Kennedy’s assassination occurred “at a fund-raising affair”). Or consider this howler: “designer Piero Tosi (named for an ancestral forebear, the seventeenth-century castrato).” Edwards is a storyteller, not a cultural analyst. Once Callas is cremated and the last scandal is dealt with, she gives us a single perfunctory paragraph commenting on Callas’s impact and then ends it, rather like a college term paper written the night before.
Good fun for nonspecialists, but aficionados will want more substance. (16 pages b&w photos)Pub Date: Aug. 20, 2001
ISBN: 0-312-26986-2
Page Count: 352
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 15, 2001
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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