Next book

WHAT WE DO FOR LOVE

A NOVEL

An entertaining tale that blends high-stakes drama with a rom-com sensibility.

A woman must deal with the dangerous parents of her son’s girlfriend in this thriller.

Nicole Adams is a single mother making it work. She runs a moderately successful pottery company, and her teenage son, Justin, is an honor roll student. Maybe she hasn’t dated in eight years and her artistic dreams were put on hold after a messy divorce, but her luck is just about to change. After she’s asked to replace a last-minute dropout from a museum show, Nicole finally gets the chance to prove her artistic chops. With only six weeks to create her masterpiece, though, Justin throws a wrench in things when he announces that he and the sweet but secretive Daniela Harris are having a baby and that she needs a place to stay until her parents come around to the idea. On top of everything else, Nicole’s older sister, Caroline, has moved in after separating from her high school sweetheart husband. Independent Nicole clashes with her sister about the lack of romance in the artist’s life. Nicole believes love and sex aren’t “good for my system.” She tries to focus on her company to accommodate her growing bills but has less time to execute her piece for the art show. Despite Nicole’s multiple attempts to contact them, Daniela’s parents refuse to get in touch with her, so she decides to confront them. But the teen’s hot-and-cold mother and hostile father might be more than Nicole bargained for, as they draw her into a world of peril and deceit. If Lorelai Gilmore of Gilmore Girls was dropped into a thriller, it might resemble this appealing novel. Nicole is a scrappy, charming character for readers to get behind. Pfeffer (Just Pru, 2015, etc.) has a knack for picking up on subtle moments that make the protagonist flawed and believable. “They hadn’t told her parents first, or even at all,” Nicole thinks triumphantly after interrogating Justin about the pregnancy. “I was the one they’d come to for help.” In just a few lines, the many shades of Nicole’s connection to Justin are rendered vividly. But while this mother-son bond is central to the story, it’s sometimes overshadowed by Nicole’s relationship with the beguiling Daniela.

An entertaining tale that blends high-stakes drama with a rom-com sensibility.

Pub Date: May 21, 2019

ISBN: N/A

Page Count: 269

Publisher: Bold Print Press

Review Posted Online: March 19, 2019

Awards & Accolades

Likes

  • Readers Vote
  • 547


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 547


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 132


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

Likes

  • Readers Vote
  • 132


  • New York Times Bestseller


  • IndieBound Bestseller

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

Close Quickview