If it's gothic, Siddons (Outer Banks, King's Oak, etc.) can do it, or so it would appear in this latest novel destined for commercial success. In it, she takes her gifts for melodrama and tangling family trees up north, to a summer colony for Boston Brahmins on the coast of Maine, called simply ``Retreat.'' But Siddons's heroine is a southerner, and on her she demonstrates one of her best tricks—her deep intimacy with her leading ladies, which the author shares with her readers from the get-go. Anyway, it isn't easy for sweet young Maude Gascoigne, from a moldering plantation near Charleston, to fit in when her new husband, sterling-silver Peter Chambliss (of a Boston banking family, Princeton, and Retreat), takes her to the summer place. For the first few decades Maude battles it out with her insufferable, hypercritical mother-in-law, the drunken and lecherous husband of her best friend, Amy Potter, and even Peter himself—a depressive, hermetic man who just sails away whenever things get rough. Gradually, though, little Maudie gets some starch and learns to endure almost anything, including: the death of her mother-in-law (``my beloved enemy''); Peter's weird coldness to his own two children, which ultimately sends the younger, Happy, to a sanitarium; the death of a grandson; the return of a bad seed, Elizabeth, Amy Potter's girl, who does her best to break up Maude's son's marriage; and whispers that float on the salt spray every summer about how much Elizabeth looks like Peter. Well, it turns out that Elizabeth's connection to Peter is very much an issue—but we're not telling why. Long-suffering Maude may not be everyone's cup of tea, but this time Siddons gets the melodrama balance just right and shows she's as much at home in Maine as she was in Georgia. Fans will be doing cartwheels, and others will queue up.
Pub Date: July 1, 1992
ISBN: 0-06-017933-3
Page Count: 400
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1992
Intelligent escapism with heart.
A tale of identical twins and not-so-identical islands.
When blue-blooded Boston designer Eleanor Roxie-Frost divorces electrical contractor Billy Frost, the rift consigns their 17-year-old identical twin daughters to separate islands. When they're home from college, Tabitha spends the summers with Eleanor on Nantucket and Harper lives on the Vineyard with Billy, and they visit the opposite parents for holidays. Now the twins are 39 and haven't gotten along in years. For reasons that will remain obscure until the end, Tabitha blames Harper for the death of her premature son, Julian. Neither Tabitha nor Harper has ever married. Tabitha had daughter Ainsley and, later, son Julian out of wedlock with her long-term boyfriend, Wyatt (now married to someone else and effectively out of Ainsley’s life). Tabitha, who has lived her entire adult life in Eleanor’s thrall, occupies her mother’s carriage house and manages the ERF boutique on Nantucket, a stodgy purveyor of preppy resort wear on the verge of going bust. Harper, whose past includes menial jobs and a brush with the law, is now a total pariah on the Vineyard: she'd been having an affair with Billy's doctor, Reed, which is discovered by his wife, Sadie, on the night Billy dies. The fun accelerates when Eleanor, Ainsley (now 16), and Tabitha attend Billy’s memorial service only to have Sadie toss a flute of champagne in Tabitha’s face. Then Eleanor, who could never handle champagne, breaks a hip. For complicated reasons, the twins end up trading islands, with Tabitha heading to the Vineyard to renovate Billy's house and then sell it while Harper goes to Nantucket to look after her niece. Hilderbrand makes the most of the complications caused by twinship and small island worlds: Tabitha’s most recent ex, Ramsay, approaches Harper and decides to pursue this less uptight look-alike, and Tabitha, after some initial difficulties occasioned by Harper’s reputation, falls for master builder Franklin—who is Sadie’s brother. The most poignant scenes feature Ainsley, whose teen angst is quelled by Harper’s nurturing. The romantic relationships seem tacked on to satisfy the demands of the genre, but this beach read doesn’t shy from the grittier side of all that sand.
Intelligent escapism with heart.Pub Date: June 13, 2017
ISBN: 978-0-316-37519-1
Page Count: 432
Publisher: Little, Brown
Review Posted Online: April 3, 2017
Kirkus Reviews Issue: April 15, 2017
A page-turning premise that gets overshadowed by its unlikable heroine.
Naomi Westfield and her perfect fiance, Nicholas Rose, are just a few short months away from walking down the aisle. But there’s one big flaw in their seemingly idyllic relationship: She hates him.
Naomi is an underachiever who works at a local junk store that’s on its last legs. She isn’t close to her family, her only friends are her ragtag bunch of co-workers, and she is so run down by her fiance’s overbearing mother that she has all but checked out of her own life. But when she discovers that Nicholas is just as tired of her as she is of him, Naomi decides to wage a war in the form of petty pranks, mind games, and general sabotage to get Nicholas to call off the wedding. Nicholas, the upstanding dentist who nevertheless cowers in the shadow of his mother’s expectations, responds by buying a house in the woods. He is convinced the move will save their relationship, but Naomi is dubious. At this point it’s clear that the novel would be greatly improved by a dual narrative—Naomi is so utterly convinced of Nicholas’ hatred and lack of interest (despite all evidence to the contrary), and responds so cruelly based on her convictions, that it’s difficult to understand why Nicholas would want to marry her at all. Although self-centered Naomi eventually comes to the realization that she has been ignoring the realities of her relationship, it’s a revelation that arrives far too late—all the romance in this overlong rom-com is relegated to the last few pages. There are glimmers of important discussions about mental illnesses like anxiety and depersonalization, but they never go past surface level, a lost opportunity to elevate the text.
A page-turning premise that gets overshadowed by its unlikable heroine.Pub Date: April 7, 2020
ISBN: 978-0-593-08542-4
Page Count: 368
Publisher: Putnam
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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