A slight bagatelle in which even the weightiest topics are sloughed off like suntan lotion in a tropical rainstorm.
Three old friends and one newbie try to revive a vacation tradition, with mixed results.
The self-styled Girls of August are an intrepid band of doctors’ wives who have gotten together for annual summer sprees ever since Cornelia—the rich, blonde consort of party-animal physician Teddy—invited them to share her beach retreat. None of the other “girls”—Rachel, Barbara and narrator Maddy—actually liked Cornelia, but no matter; Teddy soon replaced her with the more copacetic Melinda. For the past three years, ever since Melinda’s tragic accidental death—Teddy was drunk at the wheel—the girls have stayed home, but then this summer, Baby, Teddy’s 20-something third wife, entices them to familiar Siddons territory, the South Carolina barrier islands. Baby’s opulent home is located on the deserted and fictional Tiger Island, virtually unpopulated except for a resident enclave of Gullah people. Gloriously incommunicado (the only cellphone having met its demise), the women drink, cook delicious meals and swim. But problems soon surface: Maddy suffers from intermittent nausea, Rachel almost drowns, and Barbara seems to be sliding into serious alcoholism. Baby is the source of much humor and rue among the 40-ish women: Not only is she blonde and independently wealthy like her predecessor, Cornelia, she enjoys flaunting her nubile figure by skinny-dipping. Perhaps to escape all the perimenopausal sarcasm, Baby disappears for long stretches. Is she having an affair with handsome Gullah fisherman Earl or merely plotting revenge? Someone removes the screen from Barbara’s window, letting in stinging bugs, and Maddy’s bed collapses one night. Has it all devolved into the middle-aged Southern version of summer camp farce? Nothing unpredictable or challenging can survive the many clichés—the wise and vaguely mystical Gullahs, the stereotypically airheaded trophy wife and the other characters who somehow lack the mettle of Steel Magnolias but who might qualify as copper or tin.
A slight bagatelle in which even the weightiest topics are sloughed off like suntan lotion in a tropical rainstorm.Pub Date: July 8, 2014
ISBN: 978-0-446-52795-8
Page Count: 350
Publisher: Grand Central Publishing
Review Posted Online: June 4, 2014
Kirkus Reviews Issue: June 15, 2014
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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