Quirky family drama mixed with a Forrest Gumpish catchall of early ’60s pop culture: sure to entertain, if not enlighten.
Coming-of-age tale from Siddons (Low Country, 1998, etc.) set in the South circa 1961.
When 13-year-old Peyton MacKenzie chops off her pigtails, with predictably catastrophic results, her kindly father, a widowed lawyer (an Atticus Finch clone), decides to enlist a female relative to help his awkward daughter through the throes of puberty. And by great good fortune, his dead wife's cousin just happens to be passing through. The small town of Lytton, Georgia, is about to get all shook up by the young and lovely Nora Findlay, a self-taught expert on practically everything that was hot stuff in the early ’60s, from the books of J.D. Salinger to bongos. Wreathed in cigarette smoke and wearing sexily eccentric outfits hitherto unseen in the land of pink shirtwaists and towering bouffants, Nora soon has all of Lytton talking. She drives a pink Thunderbird (recklessly) and teaches the Twist, not to mention the high school's first integrated honors English class. With equal aplomb, Nora discusses literature and talks dirty to the farm boys who goggle at her, and her utter disdain for convention infuriates the local biddies. Eventually, Nora's airy disregard for the town's entrenched racism and Jim Crow laws land her—and Peyton—in big trouble. Which doesn't stop Peyton from worshipping her . . . until Nora's odd choice of subject matter for Peyton's school recitation backfires disastrously. Enraged, Peyton betrays a secret that Nora would just as soon keep. Siddons’s antiheroine is an original, but the rest of the story is remarkably similar in characterization and tone to Carson McCullers's The Member of the Wedding, without that author's morbid genius. Still, Siddons's onrushing pace and whoop-de-do style have a charm all their own, and her loyal fans won't notice or care how much she borrows from other, better, books.
Quirky family drama mixed with a Forrest Gumpish catchall of early ’60s pop culture: sure to entertain, if not enlighten.Pub Date: July 18, 2000
ISBN: 0-06-017613-X
Page Count: 320
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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