by Annette Bay Pimentel ; illustrated by Nabi H. Ali ‧ RELEASE DATE: March 10, 2020
A necessary testament to the power of children’s voices.
A girl with cerebral palsy fights for the 1990 passage of the Americans With Disabilities Act.
Whether she’s horseback riding or starting kindergarten, Jennifer Keelan’s “ready to GO!” But all around her, places and people demand that she “STOP!” From her wheelchair, a 4-inch curb is a “cliff,” and she’s not allowed to join her classmates in the cafeteria. Everything changes when Jennifer—knowing that “children with disabilities get ignored too”—joins a diverse group of disability rights activists. When Jennifer is 8, activists propose the ADA to “make room for all people, including those with disabilities.” Dismissed by Congress, disabled activists crawl up the steps of the Capitol to be heard. When grown-ups say she’s too young to participate, Jennifer drags herself “ALL THE WAY TO THE TOP” on behalf of disabled kids everywhere. Ali’s soft-focus illustrations deftly convey Jennifer’s determined scowl and excited grin. Pimentel realistically acknowledges that the ADA hasn’t fixed everything—“Slowest of all, minds have to change”—but in her foreword, the adult Jennifer—now Keelan-Chaffins—notes that she keeps “using [her] voice to speak up” and encourages readers to do likewise. Backmatter further discusses disabilities, the disability rights movement, and the ADA. Front- and backmatter seem geared toward older readers, who may find the main text a tad too simple; those wanting more information should follow this up with Amy Hayes’ Disability Rights Movement (2017). Jennifer and her family present white; classmates’ and activists’ races vary.
A necessary testament to the power of children’s voices. (notes, timeline, bibliography) (Picture book/biography. 4-10)Pub Date: March 10, 2020
ISBN: 978-1-4926-8897-6
Page Count: 32
Publisher: Sourcebooks eXplore
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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by Monica Brown ; illustrated by John Parra ‧ RELEASE DATE: Sept. 5, 2017
A supplemental rather than introductory book on the great artist.
Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.
Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.
A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-7358-4269-4
Page Count: 40
Publisher: NorthSouth
Review Posted Online: June 18, 2017
Kirkus Reviews Issue: July 1, 2017
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by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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